| It seems like time is on the mind this week — though maybe that’s just the collective anxiety of the looming tax deadline talking. (That’s today, by the way — and please don’t shoot the messenger.) Speaking of things costing a whole bunch of money, the nearly century-old Frick Collection is reopening this Thursday! It’s sumptuous, gilded, stuffed to the gills with paintings straight out of any Western art history textbook … and the same old attempt to rewrite the deeply exploitative actions of one of our country’s most infamous robber barons, as Editor-in-Chief Hrag Vartanian writes. Aaron Gilbert’s show at Gladstone Gallery, which Vartanian also reviews this week, also focuses on time: How do we break free of it, and of capitalism’s perpetual obsession with growth? Reinvent yourself constantly, maybe, like Weegee does at the International Center of Photography, as Julia Curl writes. Dream it, like Vladimir Tatlin did, as seen at the Ukrainian Museum and reviewed by yours truly — don’t miss your last chance to see that, by the way. Or, as Reviews Editor Natalie Haddad puts it in her piece on a show of giant women artists, put your foot through the whole damn thing. — Lisa Yin Zhang, Associate Editor | | |
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 | | The newly renovated Fifth Avenue institution, which houses a treasure trove by any calculation, is a time capsule with a lot to teach us about our own historical moment. | Hrag Vartanian |
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SPONSORED |  | | | | Pratt Fine Arts is delighted to invite visitors to a two-part show curated by Dejá Belardo at Dock 72 in the Brooklyn Navy Yard. Learn more |
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| | | |  | | | | Giant Women on New York at James Fuentes Gallery | | “Here, she adopts a different attitude toward women’s exclusion in the art world, and beyond: Because no one is interested in her, she can do what she wants, so she takes over the whole beach.”
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WHAT ELSE IS HAPPENING? |  | - Last month, Hyperallergic Members attended a conversation at the Museum of the City of New York about Martin Wong’s lasting impact on graffiti art history, which everyone can listen to now in our latest podcast episode. To get exclusive invitations to special events and ticket discounts, become a member.
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Danielle Jackson will moderate a conversation between Shahzia Sikander and Tom Finkelpearl about public art on screens. (Wed Apr 16) [eventbrite.com] -
Kevin Quiles Bonilla presents his lecture-performance Study of Piles, about Puerto Rican political history, followed by a discussion at the 8th Floor. (Thurs Apr 17) [the8thfloor.org] -
Little Nights is hosting “Drawn Together,” an all-levels-welcome visual art exercise at Interference Archive. (Thurs Apr 17) [eventbrite.com] -
Anonymous gallery will be screening Apichatpong Weerasethakul’s film “Uncle Boonmee Who Can Recall His Past Lives” (2011), selected and discussed by artist Jesse Gouveia. (Thurs Apr 17) [instagram.com] -
The Kitchen’s throwing a launch party for their Ulrike Rosenbach catalog, featuring a lecture and discussion. (Fri Apr 18) [thekitchen.org] -
Artist-run performance space Pageant is hosting its 3rd anniversary variety-show/gala — expect a talent competition and an afterparty. (Sat Apr 19) [eventbrite.com] -
The New York Public Libary’s hosting “Latinx Artists Speak: Storytelling, Making, and Belonging,” a panel discussion part of its World Literature and Arts Festival. (Tues Apr 22) [nypl.org]
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| You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. | | Become a Member |
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