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New YorkFebruary 23, 2022 • View in browserByron Kim Achieves EquilibriumPerhaps these paintings are what it feels like for the artist to be in a state of not being harried, anxious or in deep existentialist dread. | Seph Rodney SPONSORED BRIC Presents Suné Woods: Aragonite Stars, a Five-channel Video InstallationThis immersive video installation utilizes waterscape scenes to speak about concepts such as existence, intimacy, healing, and aquatic ecology. Learn more. Famakan Magassa’s Virtuous ViceThe Malian painter’s first solo exhibition in New York muses on the desires and compulsions that guide us toward enlightenment — and occasionally get us into trouble. | Billy Anania Alec Soth Mines the Poetic Possibility of PhotographsSoth’s art is motivated less by the need for cohesion than by attentiveness to a moment that seems full of poetic possibility. | Zach Ritter Toni Morrison’s The Black Book Was a Groundbreaking Archive, Anthology, and ScrapbookHilton Als’s collection of materials, art, and ephemera isn’t meant to elucidate Morrison’s work but ponder the novelist’s impact on American culture. | Taylor Michael Byron Kim Plumbs the Depths of Nature and the ImaginationDespite all we know about the environment and what we are doing to it, Kim arrives at another, less palatable realization: As much as we call the Earth our home, we are strangers here. | John Yau Become a member today to support our independent journalism. CLOSING SOON Mary Lum, “Rue Charlot” (2021), acrylic, found paper, and photo collage on paper, 30 x 22 inches On Delegitimization and Solidarity: Sisiku AyukTabe, the Martin Luther King Jr. of Ambazonia, the Nera 10, and the Myth of Violent Africa Mary Lum: When the Sky Is a Shape Jane Freilicher and Thomas Nozkowski: True Fictions
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