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New YorkDecember 22, 2021 • View in browserA Moving Meditation on Mortality in Brice Marden’s Late PaintingsWhat I see as his late period reveals an artist who knows that change is inevitable, that mortality is hurrying closer, and that art is not a bulwark against time. | John Yau SPONSORED The Shape of Things & Land of Broken Dreams at Park Avenue ArmoryCarrie Mae Weems, an artist who consistently and poignantly addresses the conditions of race, creates a multi-work installation: on view through Friday, December 31. The New York Times describes this installation as “Compelling…insightful, sometimes funny, and occasionally quite direct.” Athena LaTocha Digs Deep into Brooklyn’s PastThe artist’s wall-size drawing evokes a geologic mood within a neighborhood that has changed in recent decades. | Louis Bury Assemblage Art for the Age of the Online ShopperBader brings a conceptual playfulness to found-object assemblage, updating Marcel Duchamp’s concept of the assisted readymade for the age of the online shopper. | Nolan Kelly The Mysteries of the Universe in John Willenbecher’s Early WorkBetween 1962 and ’75, Willenbecher made a substantial body of work reflecting his interest in games and the night sky, in the ancient human desire to make order out of the inexplicable. | John Yau An Artist Honors Iceland’s Wild Nature from a DistanceJónsi hasn’t just utilized natural materials but has, one senses, collaborated with them, allowing them their own innate power. | Gregory Volk Support HyperallergicYour contributions support Hyperallergic's independent journalism and our extensive network of writers around the world. Join UsCLOSING SOON Stephen Westfall, "Concorde" (2020), gouache on paper, 16 1/4 x 12 1/4 inches (all images © Stephen Westfall, courtesy Alexandre Gallery, New York) Stephen Westfall: Persephone Sonia Gechtoff: The 1960s in New York: A Series of Transitions Roots/Anchors Shigeko Kubota: Liquid Reality
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