| New: Beethoven, Sonatas for Pianoforte and Violin |
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| Barenreiter News – September I 2020 |
Dear customer,
With this special Newsletter we are presenting to you our pioneering new edition of the Beethoven Violin Sonatas.
With kind regards
Your international sales and marketing team
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Please join Baerenreiter!
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| Beethoven, Ludwig van | | Sonatas for Pianoforte and Violin, Volumes I and II | BARENREITER URTEXT
Editor: Brown, Clive | | BA 9036 | EUR 74.00 | Two performance scores, four violin parts | 9790006563784 | Beethoven's Sonatas for Pianoforte and Violin are available at a special set price. The set consists of volume I (BA 9014) and volume II (BA 9015).
Each volume includes an Urtext violin part and a performance part with historically informed fingering and bowing prepared by Clive Brown. | | |
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| Beethoven, Ludwig van | | Sonatas for Pianoforte and Violin, Volume I | BARENREITER URTEXT
Editor: Brown, Clive | | BA 9014 | EUR 39.95 | Performance score, two violin parts | 9790006532964 | Sonata in D major op. 12, No.1
Sonata in A major op. 12, No. 2
Sonata in E-flat major op. 12, No. 3
Sonata in A minor op. 23
Sonata in F major op. 24 "Spring Sonata" | | |
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| Beethoven, Ludwig van | | Sonatas for Pianoforte and Violin, Volume II | BARENREITER URTEXT
Editor: Brown, Clive | | BA 9015 | EUR 44.95 | Performance score, two violin parts | 9790006532971 | Sonata in A major op. 30, No. 1
Sonata in c minor op. 30, No. 2
Sonata in G major op. 30, No. 3
Sonata in A major op. 47 "Kreutzer Sonata"
Sonata in G major op. 96
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| The Editorial Approach and Discoveries |
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Clive Brown's scholarly critical edition offers a meticulously edited text and, for the first time, presents a list of sources and a Critical Report.
At the same time, the new Barenreiter edition of Beethoven's Violin Sonatas takes a somewhat different approach towards the production of a source-critical edition than the conventional Urtext. 19th-century composers viewed notation quite differently from 20th and 21st-century musicians. Much more was expected to be implicit in the notation, on the basis of well-understood performance conventions, than is the case today. Some signs, such as staccato marks, had multiple meanings, depending on context, and the absence of slurs did not necessarily indicate the absence of legato. Although Beethoven employed performance markings more extensively than many of his contemporaries, he did not mark things with anything like the care expected of a modern editor and often failed to resolve ambiguities in copyists' scores and engravers' proofs.
This edition aims to provide much more guidance as to the performance implications of Beethoven's notation, both in the musical text, through editorial markings, as well as in the Critical Report and the Performing Practice Commentary (in preparation). |
Introduction
Both volumes include an Introduction (Eng/Ger) which describes the genesis and reception history of the sonatas included in the respective volume.
Reading Between the Lines of Beethoven’s Notation
Tempo
Ambiguous Notation
Dynamics, Accents, and Expressive Markings
Articulation
Ornaments and Embellishment
Violin Bowing
Early Performing Editions and Historical Metronome Marks
Critical Report
This is the first edition to include a list of sources and a complete Critical Report. |
| Viktoria Mullova & Alasdair Beatson on Barenreiter's New Edition |
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| In this video Viktoria Mullova & Alasdair Beatson share their take on our new edition and they make us look forward to their recording (due to be released in March 2021). |
To order now, please e-mail to [email protected] or print this out and fax it to +49 (0)561 3105310.
Errors excepted; price changes and delivery terms subject to change without notice.
Responsible for content (i.S. des § 10 Abs. 3 MDStV): Corinne Votteler.
Your contact at Baerenreiter: Petra Woodfull-Harris · [email protected] | Catriona Glatthaar · [email protected] | Corinne Votteler · [email protected] · Fax +49 (0)561 3105310
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