This week, Caroline Liou reviews the much-anticipated Made in LA biennial, which this year is split b
This week, Caroline Liou reviews the much-anticipated Made in LA biennial, which this year is split between the Hammer Museum and the Huntington Library. Liou calls the new format “a brilliant curatorial move.”And don’t miss two gorgeous photo projects: one on LA’s car culture and the other on the city’s oft-misunderstood subway system. — Elisa Wouk Almino, Senior Editor | |
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| Tyler Ballon, “When the Trumpet Sounds!” (2020) (image courtesy the artist and Jeffrey Deitch, Los Angeles) |
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