This week: Artworks inspired by a century of monumental discoveries at Caltech, Maura Brewer's video essay pulls back the curtain on art investors, and more.
FROM OUR CRITICS | | | Crossing Over: Art and Science at Caltech, 1920–2020 at Caltech | “The artists — [Lia] Halloran, Lita Albuquerque, Jane Brucker, Shana Mabari, and Helen Pashgian — were inspired by a century of monumental discoveries from the physicists, engineers, chemists, and other scientists who have made Caltech one of the most elite scientific research institutions in the world.” |
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| | Matt Stromberg | Maura Brewer: Leverage at Timeshare | “Brewer is not simply setting up a binary between artist and investor, however. Rather, she pulls back the curtain on these often invisible or elusive systems that overlap with the art world, as they become harder and harder to disentangle.” |
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SPONSORED | | | The LA Phil's new-music marathonNoon to Midnightwill showcase 12 hours of live performances and art installations in every corner of Walt Disney Concert Hall. Curated by Pulitzer Prize-winning composer Ellen Reid, the festival explores the intersections of art, technology, and nature through the theme of field recordings - the act of capturing audio in natural or built environments outside of a studio setting. Noon to Midnight is part of PST ART: Art and Science Collide, presented by Getty.
Get tickets |
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UP THE COAST | | Marrying synthetic Cubism with 16th-century Italian Mannerism and the sensuality of Jean-Dominique Ingres, the artist’s work and life seem made for the silver screen. | Bridget Quinn |
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ICYMI | | Female subjectivity in the work of Leonor Fini and Leonora Carrington, Christopher Suarez’s odes to the parking lot, Yolanda López’s heroic portraits, and more. | Matt Stromberg |
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