I feel like anybody who has a voice should use it for good things, and good things aren't amassing as much money and popularity as you can. I think too many people are afraid of alienating their audience because they don't really realize how many people there are in the world and how many people you can get to buy tickets to your shows. | | | | Hair metal: Reba Meyers of Code Orange in Leeds, England, March 16, 2017.
(Andrew Benge/Redferns/Getty Images) | | | | | | “I feel like anybody who has a voice should use it for good things, and good things aren't amassing as much money and popularity as you can. I think too many people are afraid of alienating their audience because they don't really realize how many people there are in the world and how many people you can get to buy tickets to your shows.”
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| | rantnrave:// Will the first iteration of tech startup MAGIC LEAP's much-anticipated mixed-reality goggles be a trippy 3-D SIGUR RÓS video? Quite possibly, based on this mind-bending demo PITCHFORK's MARC HOGAN got from the FLORIDA company. Reading Hogan's description of manipulating jellyfish-like figures that floated in space around him and altering the music as he did, my first reaction was "cool!," my second was, could you maybe have found a less-on-the-nose band than Sigur Rós for this, and my third, as REDEF's resident Luddite, was: Music? Really? Is that the most interesting first-use case for this tech? And then I checked my cynicism. Maybe it's specifically because music isn't a visual medium, and yet still has the power to envelop your senses, that it's the perfect, most malleable and most open-ended introduction to this sci-fi reality. I want to experience this. VERGE read the same description and had some more prosaic questions, like, why hasn't Magic Leap "shown us an app store, an operating system, or any kind of hardware"? Fair. But I'll leave the biz-dev questions to the biz-dev experts. I just need to be amazed... K-pop fans are mourning the death of KIM JONG-HYUN, better known by the single name JONGHYUN, who was a ridiculously talented triple-threat as a member of the long-running boy band SHINEE, as a confessional synth-pop solo artist and writer/producer for other acts. As a singer, he had "this belt that just sort of gives you chills automatically," K-pop expert JEFF BENJAMIN told the WASHINGTON POST. He was 27 and his death is believed to be a suicide, a possible reflection of both SOUTH KOREA's unusually high suicide rate and a record industry that's uber-competitive and controlling of its own artists. His final INSTAGRAM post, translated in the Washington Post link above, is heartbreaking; his final solo music aches with both love and melancholy. RIP... This song had never been in the BILLBOARD top 10 until this week, which is mind-boggling and sad and maybe that's what people mean when they say there's a war on CHRISTMAS. Thank GOD the war is now over... Everyone owes TOM DELONGE an apology... A new champion for jazz on CAPITOL HILL... The NBA owner and the jailed rapper... The missing tattoos are problematic (#AsIsEverythingElse)... RIP BOB SEIDEMANN. | | | - Matty Karas, curator |
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| A first look at the billion-dollar company’s potentially game-changing collaboration with Sigur Rós. | | |
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| The Victoria Derbyshire Programme has been told by women in the music industry that abuse and harassment is “endemic" in the business, with "dangerous men" at the top abusing their power. They say there are occasions where people have been raped and assaulted, but encouraged to keep quiet. Here, four women speak out about their abuse and harassment for the first time | | |
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| A listless writer and rapper from South Central LA, "Punch" went from having interest in music but no concrete goals to teaming up with Anthony "Top Dawg" Tiffith and discovering the artists who came to be known as the Black Hippy Crew. | | |
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| The singer first gained famed in 2008 as a member of the boy band SHINee, before going on to write and produce songs for himself and others. | | |
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| The 27-year-old singer was one of the beautiful, well-drilled entertainers who make K-pop so thrilling - and who are often treated miserably by their management companies. | | |
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| As some artists begin to speak up about common sense gun laws, others wonder if it'll ever be enough to weaken the NRA's grip on Nashville. | | |
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| The future for the genre is as bright as ever. | | |
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| In early February of this year, Future dropped his fifth full-length album, the self-titled "Future." One week later, he immediately followed it up with "Hendrix," awarding the Atlanta rapper a career (and history-making) first: back-to-back No. 1 albums. The hype around Future was so overwhelming, rumors suggested he'd potentially release a third LP. | | |
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| Fast forward, rewind, and pray that you stop the tape right on the song you want. For decades that was the fate of our listening experience. Phased out first by CDs then buried by the digital music revolution, cassette tapes are experiencing something of a resurgence. | | |
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| Fabio Matthiesen found a way into the music industry from the middle of nowhere. | | |
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| There's a new Eminem album out now. It's called "Revival." We'll get to it momentarily. | | |
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| The rapper on his new album, his critics, and hating Donald Trump. | | |
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| Fever Ray, Jlin, Kelly Lee Owens, Mount Kimble, Laurel Halo... | | |
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| The story behind Baltimore’s viral “Rise Up” children’s choir performance. | | |
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| When so many artists have grown outspoken, the ones who seem carefree stand out. | | |
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| This column is from Robert Ashcroft, CEO of PRS for Music: "The issues of data, value and protection for songwriters have never been so high on the agenda." | | |
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| Steven Van Zandt, a.k.a. Little Steven, is an encyclopedia of rock and roll history. Steven talks with Marc about learning to play music by watching the Beatles, learning to be a performer by watching the Rolling Stones, and using those skills to form a partnership with his career-long collaborator, Bruce Springsteen. | | |
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| Full of Hell, Artificial Brain, Elder, Ulver, Archspire... | | |
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| The young rapper talks about what it's like to navigate critics and the industry. | | |
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| Ralph Carney may not have been as famous as the many artists with whom he worked. But his unique musical style, open-hearted spirit and impish, spontaneous sense of humor left an indelible mark on four-plus decades of interesting music and scores of smiling people touched by his talent and grace both on and off stage. | | |
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