All music is rehash. There are only a few notes. Just variations on a theme. | | John Lennon's glasses. (LBJ Library/Flickr) | | | | “All music is rehash. There are only a few notes. Just variations on a theme.” |
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| rantnrave:// The final, horrific death count at the GHOST SHIP in OAKLAND is 36, making it the deadliest structure fire in CALIFORNIA in more than a century. As feared, the victims include two of the artists who were scheduled to perform Friday night, CHERUSHII and NACKT. NICOLE SIEGRIST of the Oakland synth-pop band INTROFLIRT was also confirmed dead on Wednesday. Officials in LOS ANGELES have promised to crack down on illegal residences, and BALTIMORE authorities have already taken action, evicting dozens of artists from a warehouse on Tuesday. In both cities, it should be noted, officials also are talking openly about the need for more affordable housing—an issue that explains, in part, why artists in cities around the country are attracted to buildings like the Ghost Ship. "The economic trends in Oakland and the circumstances leading to the Ghost Ship fire are a magnification of what many are experiencing across the country," MEREDITH ISAKSEN, a local poet, writes in the NEW YORK TIMES. "They can’t afford safe housing"... SFX is now LIVESTYLE, and you can hardly blame the recently bankrupt electronic music powerhouse for the name change. "Every time I said the name ‘SFX’ to someone, I got this negative reaction—people would make the sign of the cross,” RANDY PHILLIPS, the company's new CEO, says. The company's core business, electronic music, sometimes gets a negative reaction too—from sponsors—and Phillips says while some LIVESTYLE festivals will remain electronic-centric, he wants to broaden the appeal of others. Expect " a little bit of a COACHELLA feel" at the next MYSTERYLAND... Thirty-six years ago today... Streaming music companies should be applauded for investing hundreds of millions of dollars in "creating new ways to listen to music," and record companies should pay artists and songwriters more, says—guess: is it an artist, a songwriter, a streaming exec or a record company exec?... The CMA AWARDS offered its stage to BEYONCÉ this fall, but the GRAMMY AWARDS' country music committee wasn't so welcoming. It reportedly rejected her submission of "DADDY LESSONS" for the country categories at the GRAMMYS... COMPLEX exits the print magazine business... RIP STEVE BACKER. | | - Matty Karas, curator |
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| Exploring the evolving sound of New York with DJ Premier, Pete Rock, Young M.A, and Flatbush Zombies. | |
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The current boom is creating lifelong fans from a new generation, and it goes beyond buying “special edition” vanilla chocolate-swirl reissues. | |
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In a standout year for music, these are just some of the best albums. But they’re the projects that made the format relevant again. | |
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As 2016 comes to a close, an air of positivity surrounds the music business that few would have thought possible a decade ago. Thanks to the rise of Spotify, Apple Music, and their peers, revenues are seeing an upward trajectory. | |
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In a city that lacks affordable spaces, artists and innovators found a haven and community in an Oakland warehouse. | |
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Randy Phillips is starting as chief executive this week at LiveStyle, the dance-festival conglomerate formerly known as SFX Entertainment, which filed for bankruptcy in February. In recent months he has been crafting a strategy that includes broadening the company's music appeal. | |
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Buddy Holly’s 1958 performance inspired the young Mick Jagger to form his own band. | |
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The city’s insular scene is full of aspiring talent, but a string of murders involving high-profile stars has led to rappers relocating for their own safety. | |
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How the Bieber-backed phenom went from teen dreamer to international headliner. | |
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Music is a universal language - and maybe one with more variants than any other. To understand these nuances, let’s step back and see and hear how people around the world (cities and countries) listen to music differently, what they share the most, and more. | |
| Reflecting on a year that has seen so many musical heroes taken from us, Jude Rogers explores how a shared sense of sorrow is far from indulgent, but might help us all through these strange and difficult times | |
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In October 2013, Spotify introduced its first Latin playlist, “Baila Reggaetón.” It was an experiment: The service, launched in 2008, wasn’t even available in most Latin countries until the end of 2013. But within two years, “Baila Reggaetón” had become Spotify’s second-most popular playlist globally, and it has only continued to grow. | |
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This 22-year-old MC used to steal mopeds to get to performances. Now he Ubers everywhere. | |
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After a break-up, this drink-spilling banger motivated me to work, work, work, work, work-at life and on myself. | |
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How Fiona Apple gave courage to a women during the time of Trump | |
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New social science research shows that women in the arts earn significantly less than men across the board. | |
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Dueling antitrust claims could shake the music industry. | |
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The iconic sound artist sat down with DJ Lance Rock at Moogfest. | |
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The "Mambo No. 5" singer opens up about finding peace in the music industry. | |
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Yesterday, officials identified the body of Chelsea Faith Dolan. Since then I've had the title track of her 2015 EP, "Nobody's Fool," on repeat. IThis is the kind of music that inspires people to do things their own way, and I hope it will continue to encourage young artists excluded by mainstream touring circuits to create safe spaces for themselves. | |
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