I don’t think people are going to talk in the future. They’re going to communicate through eye contact, body language, emojis, signs. Imagine that... It’s funny because I’ve made a living off of words, but words get in the way of what you really want to say. | | Kanye West in Boston, Sept. 3, 2016. (Kenny Sun/Flickr) | | | | “I don’t think people are going to talk in the future. They’re going to communicate through eye contact, body language, emojis, signs. Imagine that... It’s funny because I’ve made a living off of words, but words get in the way of what you really want to say.” |
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| rantnrave:// We need a "2 + 2 ≠ 4" emoji, stat. That's my takeaway from KANYE WEST's breathtakingly bonkers—and brilliant—interview with SURFACE magazine. In the Kanye-envisioned future in which people "communicate through eye contact, body language, emojis, signs," this emoji will be used to respond, both positively and negatively, to everything Kanye says, including presidential preferences, thoughts about his famous friends and tour announcements. If you don't understand why Kanye West is repping for both DONALD TRUMP and #BLACKLIVESMATTER, do not search DSM-5 for sociological explanations. Just write "2 + 2 ≠ 4" and leave it at that... NBC LOS ANGELES reported Monday night that Kanye, who had canceled the remainder of his SAINT PABLO tour earlier in the day, has been hospitalized "for his own health and safety." We wish him well, and we wish 2 + 2 add up to 4 just this once... BILLBOARD takes a stab at guessing what the tour cancellation will cost, and figures it'll be $27.3 million-ish in ticket refunds along with massive production shutdown expenses and a lot of lost jobs... More signs of a divided US: The songs that enjoyed the biggest sales and streaming bumps during the week of the election include "DONALD TRUMP," "UP LIKE TRUMP," "GOD BLESS THE USA," "AMERICAN IDIOT" and "IT'S THE END OF THE WORLD AS WE KNOW IT (AND I FEEL FINE)"... If there's a better time for a song like "WE SHALL OVERCOME" to lose its seemingly sketchy copyright protection, I can't think of one... Licensing war du jour: 10,000 radio stations vs. IRVING AZOFF's performance rights organization, GMR... This, from NEW YORK TIMES theater critic BEN BRANTLEY, is the most clear and cogent defense—and political explanation—that I've read of the "HAMILTON" cast's peaceful onstage protest. | | - Matty Karas, curator |
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