| | Prince at the Fabulous Forum in Inglewood, Calif, on Feb. 19, 1985. (Michael Ochs Archives/Getty Images) | | | | “So much has been written about me, and people don't know what's right and what's wrong. I'd rather let them stay confused.” |
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| rantnrave:// Whither all the bad reviews? For years, music journalists churned out a torrent of roasts and takedowns—these days, according to an article in the WALL STREET JOURNAL by NEIL SHAH, that downpour of critique has shrunk to a light drizzle. “It’s actually news at this point when an album does get a bad review,” says DAN OZZI, a writer at NOISEY, referencing the hubbub surrounding negative PITCHFORK reviews of DIET CIG and ARCADE FIRE. But what’s driving this positivity? Shah’s piece suggests several factors, including surprise album drops that neutralize critics’ advantage in responding thoughtfully, and the overwhelming backlash to critiques from fans on social media. And, of course, there’s good ol’ clicks: “If a star re-tweets or puts on FACEBOOK a positive review or think-piece, he or she can drive millions of fans to a website,” Shah writes… On twitter, veteran critic MAURA JOHNSTON threw some cold water on his hot take, noting that the article relied heavily on the review aggregation website METACRITIC, which “capriciously makes up scores for outlets that don't give them.” She also argued that many “lickspittle rant[s]” from the olden days of criticism don’t hold up: ”Read one now and you'll often find an adolescent tantrum, tainted by the prejudices of old and full of unexamined assumptions.” JOHNSTON has a point, but ultimately Shah is on to something crucial that can’t be overlooked. That Arcade Fire album? A total mess, and JEREMY LARSON’s ruthless disembowelment of its bombast helped me understand why. As a teen, negative reviews helped me develop pieces aren’t just for writers to blow off steam—they play an important role in raising the industry to a higher standard. When artists and fans push back against reasonable pieces—like CHANCE THE RAPPER’s manager demanding MTV NEWS pull a piece—it stifles dissent and renders the conversation boring and toothless. Positive herd mentality surrounding marquee albums from huge stars (who don’t need good reviews to make money anyway) is a waste of everyone’s time. If nobody’s willing to publish critical thought, what’s the point of doing anything other than re-posting press releases? … DJBOOTH explores a fascinating development in behind-the-scenes industry horse-trading: ROYALTY EXCHANGE. It’s an online marketplace for song royalties, allowing investors to bid on the rights to songs that have already come out. CHARLIE PUTH and WIZ KHALIFA’S hit “See You Again” recently sold for $108,000. … Sticking with its tradition of musician CEOs, PANDORA has hired guitarist ROGER LYNCH to replace TIM WESTERGREN as chief executive. In addition to playing with DENVER band THE MERGER, Lynch worked a day job as CEO of SLING TV... PRINCE has his own color: Pantone’s Love Symbol #2, “inspired by his custom-made Yamaha purple piano.” The rich lavender hue offers the perfect shade for dyeing your freak flag and letting it fly. | | - Matty Karas, curator |
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