My theory is do something good in the end and that will close out your longevity. After that, you can go on home and sit down. | | | | House of bad repute: Joan Jett in New York, 1981.
(Mark Weiss/Hulton Archive/Getty Images) | | | | | | “My theory is do something good in the end and that will close out your longevity. After that, you can go on home and sit down.”
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| | rantnrave:// Dear streaming services of the world: Can one of you please get a copy of 23 JEWELS' 1979 single "PLAYING BOGART" and add it to your collection? This isn't me asking. This request comes from SCOTT BASS, whose essay for PERFECT SOUND FOREVER on the fate of analog music that never quite made it across the digital river was inspired by finding ANY TROUBLE's 1980 version of the song on SPOTIFY. It's a reasonably popular track but the band being covered, Bass noticed, has more or less disappeared from our collective digital memory. Everyone knows about the AALIYAHs and DE LA SOULs and TOOLs who are partly or entirely missing from the streaming universe for a variety of reasons that are easily GOOGLE'd if not so easily solved. Everyone can tell a story about beloved individual albums and tracks that have mysteriously vanished into the digital ether (and hey Spotify, there's literally no reason you shouldn't have ROBERT PALMER's DOUBLE FUN and SECRETS albums, so as long as you're listening...). My boss has a long, running list of holes that should be easy to plug. Bass's story is about something else: the indie artists, the older artists, the minor artists, the homeless (in the business sense) artists who have no one to do the digitizing, uploading and accounting for them. Maybe they made vinyl records that never got transferred to CD. Maybe they made CDs that long ago went out of print. Maybe their A&R guy was laid off in 1982. Maybe their copyrights have been bought and sold seven times. In an era where "not available for streaming" increasingly means "doesn't exist," is it anyone's job to remember? Is it anyone's job to assure NICK SIMPSON, whose self-released 2005 solo album LASHINGS OF POP is on Spotify, that his old band 23 Jewels does in fact exist and that the world remembers? Is it anyone's job to understand that music need never go out of print in a world where being "in print" is quickly losing its literal meaning? Does—or should—an obscure 39-year-old 7-inch single matter to Spotify or APPLE or TIDAL? I'd like to think it does. And should... For what it's worth, 23 Jewels haven't been completely digitally erased. The song is on YOUTUBE—but not YOUTUBE MUSIC. They have a DISCOGS page—but not an ALLMUSIC page. Fans clearly remember. I hope the business will remember, too... Respect to all those writers who waited until at least Monday to review YE. Music is absorbed and processed over time, and advance copies of 'Ye' weren't floating around on Wednesday or Thursday or even Friday afternoon. At least one track was still being recorded on Friday. This is the best review I've seen... Scripted DOLLY PARTON coming to NETFLIX... RIP CLARENCE FOUNTAIN, JERRY HOPKINS and WAYNE SECREST. | | | - Matty Karas, curator |
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| | | i'm not sick but i'm not well |
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| The early '80s subgenre cowpunk defied genre purism and redefined authenticity. That paved the way for today's hottest alt-country hero, Sarah Shook. | | |
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| What is black music? To Janelle Monáe, there is no definition. You can tell in the way she moves as an artist. To New Orleans teacher-turned-rapper Dee-1, it’s steeped in his Southern roots. For Leon Thomas, black music is limitless. | | |
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| We're looking at the very real possibility that obscure singles from the indie era might one day be like extinct birds seen in textbooks: we'll know that they once existed but nobody will be sure exactly what they sounded like. | | |
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| Harvey Danger at the Stranger. | | |
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| In 1998, boundaries blew open and new genres were invented each week. We look back at the best, brightest and weirdest from a pivotal year in pop | | |
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| SoundCloud CEO Kerry Trainor joins the MBW Podcast to discuss the platform's trajectory | | |
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| They're one of the biggest bands in the world, about to launch one of the most anticipated album campaigns of the year. And this is their first interview about it. Welcome to the new era of The 1975. | | |
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| Features for Pusha T and Kanye West have 070 Shake on the cusp of something big. | | |
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| After moving to Kobe to become a teacher, US native Jack Goldman discovered Kitchen House - a Japanese Trap record label pioneering a new cultural movement. | | |
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| Featuring epics from YOB, Sleep, Witch Mountain, and more. | | |
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| | | i'm so hot 'cause i'm in hell |
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| The ornery singer-songwriter’s new online venture soups up the CD boxset with digital user-friendliness - and points the way to a new kind of music obsession | | |
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| Scot Tobias -- a licensed and bonded broker in the states of New Jersey and New York -- talks about the alliance’s goals and why believes the under-fire secondary-ticketing industry is integral to a thriving live music business. | | |
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| Last month, a Kanye fan's detailed theory about West’s recent behavior went viral on Twitter. Here’s what he thinks now. | | |
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| Kanye West’s stint in Wyoming created an album born from chaos for chaos’ sake. Though it can be somewhat fascinating, it is undoubtedly a low point in his career. | | |
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| Gospel singer Clarence Fountain, a founding member of the Blind Boys of Alabama, spent most of his 88 years spreading joy through the gospel music he sang with his cohorts in the group that was formed in 1939. | | |
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| Merge Records has been behind some of the independent world’s most popular releases from bands like Spoon, Arcade Fire, Neutral Milk Hotel, Waxahatchee, and of course, Superchunk since 1989. We hear about the label’s beginnings from co-founder Laura Ballance (Superchunk), and are joined again by MC Taylor of Merge band Hiss Golden Messenger. | | |
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| A musical multi-hyphenate with a diverse resume that includes co-writing credits with everyone from Leonard Cohen to Jewel, Patrick Leonard’s greatest commercial success came writing songs (and frequently co-producing them) alongside a pop star who kind of, sort of made a splash in the ‘80s: Madonna. | | |
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| To honor the 10th anniversary of ‘Tha Carter III,’ we’re finding instances of rappers using one of Lil Wayne’s favorite metaphors-"flow so sick"-and determining who really is ill. | | |
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| Joining the babies, parents, old weirdos, and twenty-somethings looking for ironic fun. | | |
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| We asked 12 of the island's top superclub regulars how to do it. | | |
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| | | | | Five Blind Boys of Alabama |
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