The guitar has become a textural instrument rather than a lead instrument. And I think that's probably a good thing. | | | | Stormzy performing at the Brit Awards, Feb. 21, 2018.
(Dave J Hogan/Getty Images) | | | | | | “The guitar has become a textural instrument rather than a lead instrument. And I think that's probably a good thing.”
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| | rantnrave:// The GRAMMY AWARDS' white roses crossed the ATLANTIC in time for Wednesday's BRIT AWARDS, which gave its first award to DUA LIPA, who promptly called for "more women on these stages, more women winning awards, and more women taking over the world." Alas, a rose is a rose, and what Dua Lipa couldn't have known is that she'd wind up being the only woman to win all night in a category in which voters had the option of voting for a man. Keep trying, voters of the world. The "NEW RULES" singer ("my love, he doesn't love me") did win twice, and Grammy-ignored LORDE took home a trophy, too, so points for trying. The night's other big winner was STORMZY, who grabbed two of the top awards in what the GUARDIAN's ALEXIS PETRIDIS proclaimed "The Year the Brits Stopped Ignoring Grime." Onstage meanwhile, a LAMBORGHINI was MICHAEL JACKSON'd during KENDRICK LAMAR's performance, LIAM GALLAGHER saluted MANCHESTER, and Stormzy took on PRIME MINISTER THERESA MAY like a high-schooler taking on MARCO RUBIO... A rise-above pop song written and performed by the MARJORY STONEMAN DOUGLAS HIGH SCHOOL DRAMA CLUB was an odd way for CNN to end Wednesday night's combative town hall on gun control, as if the network was trying to force an uplifting, even happy, ending on a raw, angry story that has barely begun. Everything.Must.Be.Packaged. But god bless every one of those singers and every one of their classmates who stood up to their elected officials and the gun lobby on live TV and refused to give an inch. May we all harmonize with that... I have a thing for 78rpm records, and this is amazing. Don't click unless you're prepared to give up the rest of your day... VICKY CORNELL on husband CHRIS's battle with addiction—and his prescription-drug-fueled relapse. Don't click unless you have Kleenex nearby... The amazing U TALKIN' U2 TO ME? podcast has suddenly morphed into an RU TALKIN' R.E.M. RE: ME? podcast. While the new name is objectively terrible and the podcast suffers the all-too-common malady of nothing happens until around 15 minutes have elapsed (why podcasters, why?), it remains a delight for fans of the '80s-college-rockers-turned-pop-superstars the two hosts named SCOTT obsessively podcast about. | | | - Matty Karas, curator |
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| The Compton rapper goes from artist to architect and climbs to the top of the Billboard 200 with a soundtrack curated from the diaspora. | | |
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| Organizations are embracing the call to step up voter registration efforts in the wake of the Parkland, Fla. shootings. | | |
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| Bespoke consoles get their soothing moment in the sun. | | |
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| Spotify’s co-founders are taking a page from the Google-Facebook playbook, with plans to maintain control over the music service after its stock listing by holding shares with super voting power, according to three people with knowledge of the matter. | | |
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| It is an audacious work of queer indie rock that showcases some of Toledo’s best songwriting, and is by far the strongest of his pre-Matador releases. | | |
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| The agreement between G. Schirmer and the estate of Julius Eastman promises to restore to the canon the neglected work of a gay, black artist. | | |
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| The decline of a physical product probably means the end of compilations that span an artist’s career. | | |
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| While there haven’t been as many universally regarded live albums in the 2000s—in an age that has also largely devalued the “album” itself—it’s still given us plenty of worthwhile examples. Here are some of them. | | |
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| In just 15 minutes, music producer and songwriter Oak Felder demonstrated how a hit song gets from nothing more than an idea to a multi-layered sound experience. Onstage from Recode's Code Media conference, Felder recreated the technical process of how he produced the hit Demi Lovato single "Sorry Not Sorry." | | |
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| In advance of a rare U.S. appearance, the celebrated electroacoustic composer Beatriz Ferreyra speaks with Geeta Dayal about the origin and objectives of her art. | | |
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| Before the iPod and smartphones, Walkmen and Discmen allowed for technologically simple-yet blissfully distraction-free-listening on the go. | | |
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| For non-fans, listening to death metal is a negative experience. But research has found the music had the opposite effect on fans, giving rise to positive experiences such as power, joy and peace. | | |
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| "Any law of this kind must first and foremost protect the work's creator and owner, not the administrator." | | |
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| We trace a musical mutation that changed the face of club music. | | |
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| It wasn’t perfect – very little is – but viewed in context, last night’s event represent a colossal step forward. | | |
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| R U Talkin’ R.E.M. RE: ME? |
| Adam Scott (Parks and Recreation) and Scott Aukerman (Comedy Bang! Bang!) come together once again as superfan Adam Scott Aukerman--but this time to discuss the music and impact of the band R.E.M. | | |
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| The Pumpkins are back - without D'Arcy Wretzky. Will fans buy it? A new episode of Rolling Stone Music Now dives into the band's conflicts. | | |
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| We speak to the Richmond songwriter ahead of the release of her astonishing second record, "Historian." | | |
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| The Radiohead guitarist has been nominated for an Oscar for best original score. If he wins, he may need to thank Bach, Messiaen and Britten. | | |
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| A hotbed for nightclubs both small and large. | | |
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