I feel like my voice is a snare. I feel like my voice is a drum. And most important, I feel like my voice is a bass. | | | | Waxahatchee in Leeds, England, Sept. 6, 2017.
(Andrew Benge/Redferns/Getty Images) | | | | | | “I feel like my voice is a snare. I feel like my voice is a drum. And most important, I feel like my voice is a bass.”
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| | rantnrave:// This nicely done TIDAL playlist has been playing on joyful repeat in my house for the past 24 hours in memory of HUGH MASEKELA. The lyrical bite of his trumpet lines. The SOUTH AFRICAN folk, pop and soul rhythms that are so organically entwined with his own jazz DNA that you almost don't notice how many ideas and influences are coursing through his head. The reminder, as I read reminiscences and appreciations from around the world, of the astonishing range of musicians he worked with, from his countryman ABDULLAH IBRAHIM to NIGERIAN pop great FELA KUTI to singers MIRIAM MAKEBA and HARRY BELAFONTE. And his lifelong political activism. Of course all those partnerships and influences wouldn't have amounted to much of anything if the DNA wasn't implanted in him in the first place. MILES DAVIS told him, "You're going to be artistic because there's thousands of us playing jazz but nobody knows the s*** that you know, you know, and if you can put that s*** in your s***, then we're going to be listening.'" And he did. And they did. And we did. RIP... Among the words and phrases up for debate in the headline "Ideologues Seek Revision of Copyright Law Without Legislative Process" are "ideologues," "revision" and "copyright law." (The debatability of "legislative process" goes without saying.) At issue is an ongoing effort by the private AMERICAN LAW INSTITUTE to update, or restate, its widely cited guidance on the contours and applications of US copyright law. Music publishers and artist advocates think ALI, which has considerable influence on judges, is trying to sway courts to favor tech companies over music rights holders. They're also hoping music copyright law changes significantly before ALI finishes its work. ALI sees its work as informational and neutral. The stakeholders span the entirety of the music biz, and there will be a lot of eyes on this... MARY J. BLIGE is believed to be the first person simultaneously nominated for ACADEMY AWARDS for acting and songwriting... The casting of the MOTLEY CRUE biopic THE DIRT, with the guy who played the evilest evil person on GAME OF THRONES in line to be MICK MARS and a guy from PUNISHER up for the VINCE NEIL part, gives me reason to ask: Are there any other rock bands, in this or any universe, in which the lead guitarist and the frontman are the least interesting, and least important, people?... An artificial intelligence program gets in on the fake COACHELLA poster meme thing and, um, meet BING THE BUNG, BILLIONS OF MARIO and (someone please start this band) DON'T KISS... RIP LARI WHITE. | | | - Matty Karas, curator |
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| | | home is where the music is |
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| Smash hits, $400,000 cars, strip clubs, blunts and Cardi B: a night out with the trio as they complete 'Culture II' and make big plans for 2018. | | |
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| Could curation become a viable revenue stream? And how do artists get their music to these mysterious influencers? | | |
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| Much has been written about Hugh Masekela’s life and its landmarks: What is less discussed is the music, and the innovative imagination he has periodically applied to draw it fresh from the flames. | | |
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| To celebrate the 20th anniversary of one of the greatest films of all time, we asked the brilliant minds behind "Spice World" to explain everything from the notorious alien scene to the mysterious bomb on the bus. | | |
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| It’s time to start planning your year around these names. | | |
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| The R&B singer and songwriter is nominated for five awards and has an army of gratified fans. All she has to do is believe them. | | |
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| "She was in a good space," says label executive Dan Waite, after hearing from late singer before her unexpected death. | | |
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| YouTube has asked musicians to agree not to disparage the streaming-video service in exchange for promotional support, according to people familiar with the matter, a way to quell persistent criticism by artists. | | |
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| The non-stop chaos of the ‘98 Grammys stands alone 20 years later as the gold standard for unforgettable unpredictability on music’s biggest night. | | |
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| We talk about the '80s a lot. Nostalgia for that decade and its pop culture has both seemed to move in cycles and be ever-present for something like the last 15 years. | | |
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| Smart speakers like Amazon's Echo and Google Home are selling in their tens of millions, so what does this really mean for the music industry? | | |
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| The Lorde, St. Vincent, and Taylor Swift collaborator tells GQ all the secrets. | | |
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| After a breakthrough at Monterey Pop, Redding returned to California, looked out at the water and wrote the song that would define his legacy. Fifty years later, the track will be celebrated at the Apollo Theater. | | |
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| Take a musician, drop him in the middle of nowhere, and see what happens. Inside one group’s plan to remind America of its greatest resource: itself. | | |
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| Her relationship with and influence on Dylan weren’t reported until a writer just out of college, Toby Thompson, traveled to Hibbing in 1968 to explore Dylan’s roots. His interviews with Echo became the centerpiece of the 1971 book “Positively Main Street: Bob Dylan’s Minnesota.” | | |
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| s l o w d o w n. you might hurt yourself. | | |
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| For the fans who can recall "Changing Faces" album cuts and name each member of Subway, this is a vindication. It's an insanely fertile and formative chapter of black music, one that yielded classic albums and singles, and expanded the framework of pop songwriting and production. These are the best 90s R&B Songs. | | |
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| Artists From teaching J Dilla to use a sample to his relationship with Moodymann. | | |
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| This past year - the year of mainstream reckoning with toxic masculinity; the year a racist with a history of sexual assault took office - demanded we pay closer attention to the outsiders, punks, and poets who've long been holding a microscope to all sorts of societally empowered men: cops, politicians, bosses, bandmates. | | |
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| Interviewing Hugh Masekela after another print run of his acclaimed autobiography 'Still Grazing'‚ Tymon Smith reported how even at the age of 76‚ the trumpet legend was still calling bulls*** about weaves‚ land and language. | | |
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| | | | | Natalia Lafourcade with Los Macorinos |
| | From "Musas," Grammy-nominated for Best Latin Pop Album. |
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