I lack the daring of a dandy, the instincts of the iconoclast, the budget for the bespoke, so I’m hostage to the market. And my choices are scant. But it is a stroke of capitalist brilliance, men’s fashion: Whether we want to feel 'au courant' or disdain the entire enterprise, we dress exactly the same. | | | | | Airport patches, 2008. (Becky Stern/Flickr) | | | | |  | “I lack the daring of a dandy, the instincts of the iconoclast, the budget for the bespoke, so I’m hostage to the market. And my choices are scant. But it is a stroke of capitalist brilliance, men’s fashion: Whether we want to feel 'au courant' or disdain the entire enterprise, we dress exactly the same.”
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| | rantnrave:// I’m still considering the OPENING CEREMONY x GOOGLE smartphone cases, not because smartphones are so closely identified with our bodies that we wear them like clothing (tho it’s true). It’s also not because people often change their smartphones in and out of various snappy ensembles—read: phone cases (tho that’s also true). No, it’s because of this statement: "Shoppers on the Google Store can customize each by zooming in on, dragging and rotating the patterns." Dynamic patterns for fashion, facilitated by digital image manipulation, is a smart choice—yeah it’s customizable, blah, blah. But it also brings the animated, dynamic visual quality of our screens to our smartphone cases (and clothing). That very zooming, dragging, swiping, and rotating is a way of seeing, and it’s a culture, from GIFs to SNAPCHAT filters. Reminds me of what’s on offer from PRINT ALL OVER ME, where you can upload any image to be printed on an array of garments and accessories by using an image editor to customize. The design of garments has been prefaced by algorithmic processes for a long time—the industry started adopting CAD in the 1970s, and Product Lifecycle Management software by powerhouses like SAP have enabled global scale and instantaneous communication for companies. Whenever tech packs are made, the "digital" is at work. The point being? There’s a holistic way of looking at fashion and digital technology, and those smartphone cases get it right in terms of process. The interface needs to be good, so if anyone has tried it, LMK… In brief: excellent read from RUMAAN ALAM on the redemptive qualities of beauty, dreaming, and ALESSANDRO MICHELE’s GUCCI… PVH signed on to the UN Global Compact… KERING is open to the public in some ways more than others… THE ROW is offering a selection of vintage jewelry in its LA and NYC stores. Love this from MARY-KATE OLSEN: “All of our clients are the ideal client.” Think about that in your next convo about demographics. | | | - HK Mindy Meissen, curator |
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 | New York Magazine |
| Alessandro Michele has made life just a little bit brighter. | | |
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 | LA Weekly |
| It's alarming to think what would happen if there were an earthquake or a fire." | | |
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 | Fashionista |
| One writer tells her tale of braving the crowds in an attempt to get inside the 19-year-old's holiday store. | | |
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 | Racked |
| Kylie and her lip kits are all about access, and I didn’t have it. | | |
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 | WWD |
| Real estate developers working on projects across the country see reasons for optimism — but plenty of reasons for pessimism, too. New retail concepts were few and far between. | | |
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| WWD |
| Theresa May’s Amanda Wakeley leather trousers are causing a stir. | | |
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 | Tank Magazine |
| Phoebe English is a British fashion designer who founded her eponymous line in 2011, after graduating from Central Saint Martins. She has become synonymous with highly crafted, diaphanous and dark designs in both her menswear and womenswear. | | |
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 | Glossy |
| “Brands need fewer salespeople, and they need to scale them up to a level of expertise. Emotional intelligence skills are not being taught today in such a way that entire staff can exhibit those skills.” | | |
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| Racked |
| More than 2,000 individuals are crying over hoodies on Reddit. | | |
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 | The New York Times |
| In 2016, an Afrocentric sci-fi vision infiltrated the mainstream, powering up for uncertain times. | | |
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 | Loose Threads |
| Richie Siegel talks with Marc Bain, the fashion reporter at Quartz, about his path to covering the fashion industry. Topics include: how blockchain might impact the fashion industry; the current state of affairs in the fashion industry; how luxury brands will continue to scale globally; how luxury brands are approaching Amazon; and how malls are being revitalized. | | |
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 | The Washington Post |
| A look back at the gestures, the swagger, the clothing and the moments that defined the Obamas’ style. | | |
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 | 1 Granary |
| When squatters had the future of fashion in their hands. | | |
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 | ADDRESS |
| Demna Gvasalia of Vetements fame debuted his menswear collections for Balanciaga this summer. Unfortunately, his take on the sculptural heritage of the house translated into a two-dimensional vision for the future. Jacob Rosengren gives his verdict of the collection by using look 1 as his case study. | | |
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 | W Magazine |
| The pieces, which will only be available at The Row stores in New York and Los Angeles, feels worn-in but both wearable with jeans and black-tie. | | |
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 | the culture crush |
| Welcome to the world of entertainment technology. | | |
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 | Bloomberg |
| Asos Plc, Britain’s largest online-only fashion retailer, plans to double its U.K. manufacturing as the pound’s post-Brexit plunge makes domestic production more affordable. | | |
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 | High Snobiety |
| We've rounded up a comprehensive list of the 26 best Japanese brands you need to know, some of which are widely-known and others more obscure. | | |
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| Fashionista |
| This is a company that knows how people shop today. | | |
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 | Fortune Magazine |
| Puttin' on the Ritz is no longer just a New York activity. | | |
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 | via YouTube |
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| © Copyright 2016, The REDEF Group |
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