Morning. I hope you’ve all recovered from the Presidential headache debate from Tuesday. I (mostly) have… I think. ⛅

We all need something to take our minds off of it, so why not check out rare home movies from the 1930s by American artist Henry Ossawa Tanner, Pantone’s new curious color choice, or Buckminster Fuller’s wacky recipes?

I also want to once again thank all of our new members who support us with their monthly or yearly contribution. If you value what we do, we need your support.

If you haven’t already, and are able to, please consider supporting us today us by becoming a member of Hyperallergic. (Sustaining members also get an exclusive Hyperallergic tote!)

The Clemente Soto Vélez Cultural and Educational Center on Manhattan’s Lower East Side was founded in 1996 to preserve and promote Puerto Rican and Latinx art and culture.

But for nearly two decades, control over the building has been “contested between its original Latino founders and a group of predominantly white artists who hold leases to the studios,” claims a recent open letter by the advocacy group Free The Clemente.

The Laundromat Project, an arts nonprofit that supports community-based projects across New York City, will relocate its headquarters to Bed-Stuy, Brooklyn for its 15th anniversary.

A truck parked in front of the Guggenheim welcomed museum members on opening day with digital screens reading pro-union messages.

Louis Shadwick, a PhD candidate at the Courtauld Institute in London, has discovered that Edward Hopper reproduced some of his early paintings from a how-to arts magazine when he was a teenager.