A roundup of TNR’s culture reporting
Richard Beck’s "Homeland" traces the far-reaching aftereffects of the attacks and tries to recover the events of the day, as they happened. |
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Join us on Tuesday, September 10, to watch the Harris vs. Trump face-off with editor Michael Tomasky and staff writer Greg Sargent for interactive commentary and analysis. |
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In "Creation Lake," a brilliant secret agent delights in her infiltration of a niche world of ideas. |
There were multiple visions for the World Trade Center site, from housing to parks. Why was Larry Silverstein set on office space? |
The Apple TV series, now in its fourth season, may be the best, least watched show on television. |
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TNR Travel: New December Dates Added |
Join a special group of readers and supporters on a lovingly designed, all-inclusive tour of one of the most amazing places in the world. Drawing on The New Republic’s special contacts among local historians, artists, and chefs, we’ve created a first-class experience that will immerse you in Cuba’s colorful and unique history, politics, and culture. |
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In "Colored Television," identity politics is as much a playground as a battleground. |
Despite its title, "Mourning a Breast" is not about grief—and, really, not even that much about breasts. |
"The Day the Clown Cried" has a reputation for being the worst movie ever shot. When I saw it, I was surprised at what I found. |
By Benjamin Charles Germain Lee |
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In partnership with: Americans United for Separation of Church and State |
Join us on Tuesday, September 24, as top legal and policy minds from Americans United for Separation of Church and State talk with investigative journalist Nina Burleigh about the far-reaching implications of Project 2025—the political blueprint outlined by ultraconservatives for the Trump administration. |
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