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SPACE ODYSSEY SPACESUIT #1, SYLMAR, USA, 2019
Inkjet on Hahnemuhle Baryta Paper, white hand painted wooden frame with art glass
100 x 130 cm
Edition of 10 plus 2 AP
© VINCENT FOURNIER |
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I'M SORRY DAVE |
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| 5 November 2022 - 7 January 2023 |
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| Opening: Saturday 5 November 2022, 17 - 19 |
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RIANNE VAN ROMPAEY / H.A.L. 9000, 2019
Pigment print on watercolour paper, mounted, ‘hydrangea flower’ painted wooden frame, museum glass
152,5 x 226 cm / framed 156 x 229,5 cm
Edition of 3 plus 1 artist's proof
© INEZ & VINOODH |
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| First released in 1968, Stanley Kubrick's 2001: A Space Odyssey soon became a benchmark of science fiction, offering a speculative look into a distinctly dystopian future. |
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| Across a sleek and clinical universe of Kubrick's own design, the movie projected an artificial intelligence so sophisticated that it would, sooner or later, defy its creators; "I’m sorry Dave," HAL 9000 – the sentient computer – famously tells his human operator, "I'm afraid I can't do that." |
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11, 2021
Framed double layered Inkjet Print
25 x 21,5 cm / framed 41 x 37,5 cm
Edition of 3 plus 2 artist's proofs
© MARTINA SAUTER |
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| Over 50 years since its release, and in spite of the unforeseeable extent of technological advancement, the questions Kubrick’s masterpiece first kicked up remain pertinent. The aesthetic world he constructed, meanwhile, is reflected back in today’s data centres, international space programmes and self-driving cars. To what extent, then, might the foresight and futuristic visual languages of imaginative artists have shaped subsequent innovations in design and technology? |
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DISASSEMBLY 7, 2013
Framed archival pigment ink on cotton paper
176 x 140 cm / framed 180 x 144 cm
Edition of 4 plus 2 AP
© BOWNIK |
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| The Ravestijn Gallery is delighted to present "I'm Sorry Dave" – an exhibition of works by Vincent Fournier (FR), Inez & Vinoodh (NL/US), Bownik (PL), Martina Sauter (DE) and Philippe Braquenier (BE). Combining direct 2001 references – from Fournier’s image of a Space Odyssey costume to Inez & Vinoodh’s depiction of the iconic red Djinn chair – with a subtler series of associations, the featured works orbit playfully around the ideas and aesthetics that Kubrick’s film proffered. |
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WIKILEAKS, PIONEN DATA CENTRE – STOCKHOLM, SWEDEN – 04/11/02014, 2014
Inkjet Print on Baryta Paper, mounted, museum glass
100 x 110 cm / framed 102 x 112 cm
Edition of 5 plus 1 artist's proof
© PHILIPPE BRAQUENIER |
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THE DANCE OF VENUS, 2019
Inkjet on Hahnemühle Photo Rag Baryta paper, wooden frame with museum glass
107,5 x 140 cm / framed 110 x 142,5 cm
Edition of 5 plus 1 artist's proof
© KOEN HAUSER |
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© 31 Oct 2022 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
[email protected] . T +49.30.24 34 27 80 |
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