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Film & DocumentaryOctober 6, 2022 • View in browserStop Fetishizing Marilyn Monroe’s TraumaThe problem with Andrew Dominik’s biopic Blonde is its assumption that Monroe’s victimization was the most fascinating thing about her. | Zeba Blay Many filmmakers, particularly male filmmakers, don’t know what to do with the heights of feminine emotion — despair, longing, rage, madness. Often, rather than truly engage with these emotions they romanticize, aestheticize, sensationalize, and fetishize — in Blonde, the depictions of Monroe’s pain are always framed as spectacle. Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. Become a MemberNew Emmett Till Film Moves and Rouses NYC StudentsThe student screening of Till emphasized an important aim of the film: to educate young people about the fierce love and activism of Mamie Till-Mobley, which played no small part in igniting the Civil Rights Movement. | Jasmine Liu My Imaginary Country Is a Witness to Chile’s Past and FuturePatricio Guzmán combines reflection on the past, observation of the present, and hope for the future into an expansive vision of all the ideas he’s explored in his work. | Dan Schindel
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