This month: sneaky video games, fast fashion, a suspicious new trend in homeschooling, and more.
| | This month: sneaky video games, fast fashion, a suspicious new trend in homeschooling, and more. | Dan Schindel |
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DOCUMENTARY, REFRAMED | | | | In the late 1980s and ’90s, a wave of independent directors turned cameras on themselves, utilizing documentary as a mode of confession and self-reflection. | Dan Schindel |
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| | | | Director Lou Ye follows a film crew in Wuhan who decides to revive a project abandoned 10 years prior, only to be placed under lockdown during shooting. | Saffron Maeve |
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| A CLOSER LOOK AT COMEDY | | | | Outstanding: A Comedy Revolution drives home who is worth paying attention to if you want comedy to lighten your load, and your fellow humans’. | Alexis Clementss |
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| | | | Implicit throughout Sorry/Not Sorry is the question of what it means for a White cis-het man to be “canceled,” and how claiming cancellation is often a route to reclaiming power. | Natalie Haddad |
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AT FILM FESTIVALS | | | | Directors Andres Veiel, Petra Costa, and Errol Morris to engage with the contemporary politics of Germany, the United States, and Brazil. | Ela Bittencourt |
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| | | | Anti-Zionist protesters called out the film Bliss (Hemda), one of the centerpieces of TIFF this year, for its ties to the Israeli government. | Maya Pontone |
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You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. | | Become a Member |
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