wir möchten Sie herzlich hinweisen, auf die Buchpräsentation von Ardian Ahmedaja (Hg.) Diverging Ontologies in Music for Dancing European Voices V am Montag, den 27. November 2023 um 19:00Uhr im Bockkeller Gallitzinstraße 1 1160 Wien
Sprache: Englisch ISBN: 978-3-205-21765-7 208 Seiten, mit 30 Abb., 10 Tabellen und 22 QR-Codes, Onlinequelle (E-Library) Böhlau Verlag Wien
Programm
• Die Tanzgeiger: Polka schnell Immerflott
Marko Kölbl, Head of the IVE
• Die Tanzgeiger: Wiener Heurigenmarsch
Her Excellency Mag.a Guna Japiÿa Ambassador of the Republic of Latvia in Austria
• Die Tanzgeiger: Norwegischer Hochzeitsmarsch
Ardian Ahmedaja Diverging Ontologies in Music for Dancing. European Voices V
Stefan Hackl The So-Called Zigeunerstimmung – An Old Tyrolean Style of Playing Guitar (talk and guitar performance)
Ulrich Morgenstern Textural Event Density and Solo Multipart Instrumental Music for Dancing
• Die Tanzgeiger: Sozialbauweise
Oliver Graber Ballet Music from a Practical Perspective
• Die Tanzgeiger: Herkules Walzer
Dr. Ardian Ahmedaja is Senior Researcher at the Department of Folk Music Research and Ethnomusicology of the University of Music and Performing Arts Vienna.
Dr. Dr. Oliver Graber is a composer, pianist, dramaturge and author, currently responsible for the artistic aspect of the Research Institute for Music Medicine with a focus on Arts for Health at the JAM Music LAB Private University in Vienna.
Her Excellency Mag.a Guna Japiÿa is Ambassador of the Republic of Latvia in Austria
Ass. Prof. Dr. Marko Kölbl is Head of the Department of Folk Music Research and Ethnomusicology at the University of Music and Performing Arts Vienna
BA BA, Eva Christina Moreno is technical assistant at the Department of Folk Music Research and Ethnomusicology at the University of Music and Performing Arts Vienna
Univ.-Prof. Dr. Ulrich Morgenstern is professor at the Department for Folk Music Research and Ethnomusicology at the University of Music and Performing Arts Vienna
• Marie-Theres Stickler: button accordion and singing
• Michael Gmasz: viola and singing
• Sebastian Rastl: double bass
Über das Buch
The participation of skilful - in addition to soundful - bodies in action is essential to the interaction of individuals in creating music for dancing. Since cultures, being products of human individuation, exist only in performance (Blacking), the recent awareness in anthropology of varying worlds and worldviews (Heywood) reveals particularities of diverging ontologies as an effective object of research. Exploring music for dancing in this context provides significant insights of inter-individual relations and social context, which do not simply arise from the behaviour of individual agents, but themselves enable and shape the individual agents on which they depend (De Jaegher and Froese). Diverging ontologies in music for dancing may therefore be perceived as an indispensable constituent component of the music∼dancing coupling.
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