Each Wednesday, Editor's Choice brings you a poem from a new book selected as a must-read. Our feature editor this week is Jennifer Chang.
Emily Berry

ACT ONE

[Alone onstage with a coffin. Windchimes]

ME ONE: There is a part of me that will always miss what I lost

ME TWO: They all said the same thing in their letters. Poor little _____. I hope she will be okay, poor little _____

ME ONE: I went back to the burned house

ME TWO: Day of the week: immaterial. Time of year: immaterial

ME ONE: Who was there: me and another girl, also me (you)
        [gesturing to ME TWO]

ME TWO: [angry] During leave-taking from mother: 'without ceremony, the children were far more distressed than if mother left with the proper rituals'

CHORUS: Give us this day our proper rituals! Give us some fucking ceremony!

[Curtain]
 

ACT TWO

[A kind of light that is not the right kind of light; screaming]

ME ONE: Somebody said: 'I am a master of elision.' I veiled my tended wound. I veiled my narrative. Somebody called it: 'some kind of gratuitous beauty.' I veiled my photograph of her in sixties playsuit

ME TWO: Somebody wrote: 'Thereafter, hidden away, in some locked cupboard of the mind, he carries the murderous dead thing within him, an unappeased Doppelgänger, not to be placated, crying out to be heard'

ME ONE: I GIVE BIRTH TO MURDEROUS DEAD THING let it go to swimming pools, meditation sessions, take it on train journeys during which I feel ABANDONED and ALONE—

CHORUS: I was so small! I was so capable!

ME ONE: I run out into the street. I find someone. I tell them everything. 'I have got it in me!' I shout. 'Undigested! Whole! The dead body of a woman! I am conducting a murder investigation! Victim performed disappearing act leaving empty shell and devastation!'

ME TWO: Why didn't I—

ME ONE: I'm sorry

ME TWO: What for

ME ONE: For myself

[Sound of breaking strings]

ME TWO + CHORUS (of baritones): —SAVE HER 

[Curtains]

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Illustration of Paradise Lost
A Fresh Decoding of "Paradise Lost"
 

"Undergraduate Miranda Phaal from Tufts University has found a distinctive literary pattern that other Milton scholars have previously missed, and one which uncovers a hidden message inside the text."

via SCIENCE ALERT
READ ALL TODAY'S HEADLINES
What Sparks Poetry:
Jennifer Chang on Collective Denial


"When I first encountered the poem several years ago, what stood out first to me was that an Asian poet was writing a contemporaneous poem about a defining tragedy of modern American history. 'In Memoriam' documents the intersectionality of grief. It determines the distance between marginalized perspectives, between elation and devastation, as no greater than an enjambed line. Consider the resonances between the poem and the slain minister’s final speech"
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