Editor's Choice brings you a poem from a new publication selected as a must-read. Our feature editor today is Brian Teare.
which might incite a utopia

                  in which I will not remember

                                     I wasn't awake in my life.

                                                        Blood circulated but I was still

                                     amplifying softness to mimic intimacies.

                  Everything sounded

like a shore at night. A threshold

                  between me and potential in any direction.

                               Spooked, I revealed myself

                               in every mirror. I looked down though

                  the moon appeared to float. I was a yes man

                                 and grabbed whole what was in my reach.

                                 I was outside myself and under tow.

                   The opposite of eternity

dressed me. It is why I was comfortable

                   alone, but was I ever really a swimmer.

                                  In my chosen height I was a head above

                   thought. I was energized by adulthood

                                  but didn't ask what kind of water is this.
from the book SLOWS: TWICE / Coach House Books
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Cover of The Upstate
An Interview with Poet Lindsay Turner

"The Upstate came about differently. I mentioned 'rage' above, and this is a book about (among other things), being angry. I began writing these poems in the fall of 2016, which was a really strange time for me. It's too reductive to say that this book is about living through the Trump years in upstate South Carolina, although it is that: the day after he was elected, I was not surprised, but I was devastated and scared."

via UNIVERSITY OF CHICAGO
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Cover image of Brain Teare's book, Poem Bitten By A Man
What Sparks Poetry:
Brian Teare on Other Arts


"In exceeding the frame of visual description, ekphrasis in the expanded field refuses to dwell only on the surface experience of visual art—or film or dance or music. Going outside of the frame and beneath the surface, it engages with another art by reconceptualizing and recontextualizing it: in its historical and cultural and subcultural contexts, its critical reception, its making and materials."
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