Good morning, and happy first week of January!
Good morning, and happy first week of January! The art world is finally beginning to thaw as galleries reopen and out-of-office notices wane. You know what that means: Our editors and writers have the top exhibitions you should visit in New York this month. See our full list of recommendations below to start the year off strong.
More today: the discovery of what may be the world’s oldest alphabet, a UC Berkeley initiative to combat censorship at art institutions across the country, John Yau on the cosmic pull of Peter Young’s “stick” paintings, and more.
In case you missed it, I also recommend checking out the joint article we co-published with Jewish Currents in December. The acclaimed magazine is a wellspring of informed, moving, and all-around excellent journalism, and Hyperallergic readers get a 30% discount on a print subscription — lucky us! Enter the code HYPERALLERGIC30 at jewishcurrents.org/subscribe to get the discount. — Lakshmi Rivera Amin, Associate Editor | |
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| | | From the visual pleasures of Mary Sully to the cultural critique of Gary Simmons, to a lesson in Haitian art history, there’s plenty of great art to see right now. | Natalie Haddad, Hakim Bishara, AX Mina, Seph Rodney, Julie Schneider, and Daniel Larkin |
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SPONSORED | | | | The MFA Art Practice program at SVA redefines artmaking through a collaborative, cross-disciplinary approach that welcomes non-traditional applicants. Learn more |
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LATEST REVIEWS | | | | What you see in Young’s “stick” paintings is not a tightly executed, machine-like painting, but a humbler and more vulnerable approach. | John Yau |
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SPONSORED | | | | All admitted students receive a full tuition waiver, a stipend, health insurance, and additional funds for research travel. Learn more |
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| | | For the so-called “1.5 Generation,” music allowed an escape from the binary between home and school, Vietnamese traditions and American culture. | Sigourney Schultz |
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FROM THE ARCHIVE | | | | The story behind the rise and decline of the popularity of the black magus during the Renaissance has been largely forgotten, but at one time, the tale was used to explain the perceived need for conversion to Christianity, the three ages of man, as well as emerging theories of race. | Sarah E. Bond and Nyasha Junior |
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You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member. | | Become a Member |
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