| We've covered the music business each day since 21 Jun 2002 Today's email is edition #5292 |
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| | In today's CMU Daily: A musician who says he played drums on a demo version of Billy Joel hit âYou May Be Rightâ all the way back in 1979 has filed a lawsuit over allegedly unpaid royalties. He says his work on the song was never acknowledged or rewarded - he now wants at least $15 million in damages
One Liners: Downtown ups David Driessen to Chief Commercial Officer, Bytedance board rejig, DJ & producer revenue sharing platform Aslice to shutter; Polish broadcaster says not in discussions about Jojo Siwa Eurovision slot
Also today: The corporate dramas in the world of K-pop continue, with ousted Ador boss rejecting the offer of a new role with the label by parent company HYBE. Now members of the group most impacted by these dramas - NewJeans - have finally spoken out Plus: LaFrantz are CMU Approved
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| Ready for September? Skill up with CMU's Copyright + Licensing Masterclass bundles âĄïž Having a really in-depth understanding of how copyright and licensing work has never been more important. For a limited time we're offering two CMU Masterclass 'mini-bundles': Copyright, Licensing + Data Fundamentals and Streaming + Sync Licensing: The Deep Dive both of which pull together content from our recently releases CMU Masterclass series. Each bundle is available this week at a huge 45% discount off the standard bundle price - which already offers a signficant saving against the individual Masterclass pricing. Copyright, Licensing + Data Fundamentals includes three Masterclasses and is just ÂŁ70.95 - reduced from ÂŁ129. Streaming + Sync Licensing: The Deep Dive include two masterclasses and is just ÂŁ54.45 - reduced from ÂŁ99. đ Click through to see what's include and buy using the coupon BACKTOWORK
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| Billy Joel sued by musician who says he helped create âYou May Be Rightâ | | Billy Joel is being sued by a musician who claims that he played drums on a 1979 demo that became the hit âYou May Be Rightâ, but that he was frozen out of any rights and royalties in relation to the track.
Representing himself in a lawsuit filed with the courts in Arizona, Joseph Roderick Jr accuses Joel - and his label Sony Music and publisher Universal Music Publishing - of breaching a verbal contract. In addition, heâs claiming what the lawsuit calls âdetrimental reliance on a promiseâ as well as good old fashioned copyright infringement.
The lawsuit is ambitious: Roderick is asking for at least $15 million in damages and âall performance, mechanical royalties, publishing and sales, which includes: television, motion pictures, radio, social media, internet sales, anywhere the song âYou May Be Rightâ has been played, and future royalties as long as the song is being played and performedâ. | Read the full story | |
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| LATEST JOBS | CMU's job ads are a great way to reach a broad audience across the industry and offer targeted exposure to people at all levels of seniority who are looking for new jobs. Our job ads reach tens of thousands of people each week, through our email, and our dedicated jobs pages.
| CMU's job ads are a great way to reach a broad audience across the industry and offer targeted exposure to people at all levels of seniority who are looking for new jobs. Our job ads reach tens of thousands of people each week, through our email, and our dedicated jobs pages.
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| | | | | | | | | | | | | | | | | | Horizon is CMU's new weekly newsletter - published each Friday - that brings you a hand-picked selection of early-stage career opportunities from across the music industry.
Whether you're looking for your first job in music or you're ready to take a step up, Horizon is here to help you find your dream job faster.
đ Click through to see the current selection. | |
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| Deals Berlin-based producer Objekt - aka TJ Hertz - has launched a new record label called Kapsela. Country artist Levi Hummon and songwriter Eric Arjes have launched 3686 RECORDS, a new fully-independent record label distributed by Sony Musicâs The Orchard. Appointments Downtown Music has promoted David Driessen to Chief Commercial Officer. Comms agency Zeno London has hired former Warner exec Catherine Smiles as a director to lead its new sports and entertainment practice in the UK. TikTok owner ByteDance has announced changes to its board of directors, with Philippe Laffont, founder of New York-based Coatue Management, stepping down and French businessman Xavier Niel joining as a new member. Digital, Streaming, Broadcast & Retail Aslice, a revenue-sharing platform for DJs and producers, has announced its closure. Live South East Londonâs Creekside Festival has finalised its line-up for 2024. Other Industry News & Events Saudi Arabiaâs culture-washing agenda continues apace, as the KSAâs Public Investment Fund-owned MDLBEAST touts the second edition of its Artist Management Bootcamp. Applications close on Saturday. Given Saudi Arabiaâs track record for persecution and extra-judicial murder, you probably donât want to apply if youâre part of the LGBTQIA+ community. Polish broadcaster TVP has denied holding discussions with JoJo Siwa about her representing Poland at the 2025 Eurovision Song Contest. Artist News Kanye West has fired his sneaker designer Steven Smith from YZY, who says that West has âlost his mindâ and âsurrounded himself with toxic, C-grade losersâ. | đ Read today's One Liners in full | | Op-ed: Jonathan Coote of Bray & Krais on AI and fair use | | As the Suno and Udio lawsuits make their way through the courts, the fundamental issue in the cases is likely to be whether the 'fair use' defence can be successfully run for the training of AI tools on copyright works. Jonathan Coote examines the issue in more detail.
As reported at the beginning of August, Suno and Udio have now filed their defences in the ongoing lawsuits brought by the Recording Industry Association Of America on behalf of the major labels. As predicted, with Suno admitting that it has trained on copyrighted recordings, the cases are set to be primarily about whether the âfair useâ defence in the US for infringement can be successfully run for the training of AI tools on copyright works.
Whilst there is not actually much information disclosed about how the companies trained their models in the submissions, Suno notes that its training data âincludes essentially all music files of reasonable quality that are accessible on the open Internet, abiding by paywalls, password protections, and the like, combined with similarly available text descriptionsâ. This shifts the burden from the RIAA to prove its works were in the original dataset and could potentially open the way for more lawsuits - for example, from publishers - whose underlying works would inevitably be found in those files. Notably, Udio doesn't make the same statement.
In another notable difference, Udio states that its tool âdoes not store copies of any sound recordingsâ. Suno doesnât make the same assertion, and elsewhere refers to âcopies never heard or seen by anyoneâ. Whether copies are stored could have important copyright implications, and whether Large Language Models do actually store copies is an ongoing and contentious technical and legal debate - such as concerns surrounding a technical issue known as âmemorisationâ.
| đ Read Jonathan Cooteâs op-ed in full | |
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| đ§ Approved: LaFrantz | | Los Angeles-based duo LaFrantz (Jack and Meg) have swiftly made their mark with a keen ability to craft irresistibly catchy music, seamlessly blending the bite of Southern rock with sultry pop undertones.
Their debut single, âRATTLESNAKEâ, serves as a bold statement of purpose. The track is driven by a foot-stomping beat and sharp, twangy guitar riffs that channel the spirit of 70s rock legends like The Allman Brothers Band, all while being laced with contemporary pop hooks.
âRATTLESNAKEâ is a raucous reminder to embrace the wildside, with LaFrantz explaining, âBlast this song when you're in the car with your windows down and wanting to feel like a badass, when you're at a party with your friends wanting to DANCE, or when you're on a dusty desert road-trip wanting to feel like an outlawâ. đ§ Listen to âRATTLESNAKEâ here
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| NewJeans finally comment on corporate dramas at Ador and HYBE | | Members of K-pop group NewJeans have made public statements for the first time about the corporate bust up between the founder of their label Ador, Min Hee Jin, and its parent company HYBE.
It follows the removal of Min as CEO of Ador last week and her subsequent rejection of an offer to stay on with the label in a producer role. With fans of K-pop taking a particularly active interest in all the corporate dramas within the South Korean music industry, the affected artists finally speaking out is a noteworthy moment.
NewJeans member Minji shared her thoughts on recent events with the groupâs fanbase, known as âbunniesâ, via fan platform Phoning. She said, âItâs been almost a week since I wanted to share with you all the things that have been happening, but I couldnâtâ.
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