| Critical performing Urtext edition Meticulously laid out parts to meet all performers’ needs |
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Beethoven, Ludwig van | String Quartet in B-flat major op. 130 | BARENREITER URTEXT Editor: Del Mar, Jonathan | BA 9030 | EUR 19.95 | Parts in slipcover | 9790006566648 | Although Beethoven did not live to see the publication of his String Quartets op. 130 and op. 133, he oversaw the production process, making corrections and putting the works into their final form. The String Quartet op. 130 is the longest piece within Beethoven's extensive chamber music oeuvre. Originally, the Große Fuge was meant to be the final movement of op. 130. Beethoven's conversation books document the separation of the Große Fuge from op. 130, its replacement by a new finale and its assignment to a new opus number op. 133. | |
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Beethoven, Ludwig van | String Quartet in B-flat major op. 130 | BARENREITER URTEXT Editor: Del Mar, Jonathan | TP 930 | EUR 10.95 | Study score | 9790006203093 | |
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| Critical performing Urtext edition Meticulously laid out parts to meet all performers’ needs |
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Beethoven, Ludwig van | Grosse Fuge for String Quartet op. 133 | BARENREITER URTEXT Editor: Del Mar, Jonathan | BA 9033 | EUR 11.95 | Parts in slipcover | 9790006566662 | Even by today's standards, the Grosse Fuge is a complicated work and poses a challenge to performers. However it was the first work in music history to include a helpful addition: rehearsal numbers. These were included in the first edition so that during rehearsals musicians could find a common entry without having to start the piece afresh. | |
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Beethoven, Ludwig van | Grosse Fuge for String Quartet op. 133 | BARENREITER URTEXT Editor: Del Mar, Jonathan | TP 933 | EUR 10.95 | Study score | 9790006203109 | |
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Beethoven, Ludwig van | String Quartet in B-flat major op. 130 / Grosse Fuge for String Quartet op. 133 | Editor: Del Mar, Jonathan | BA 9030-40 | EUR 34.95 | Critical Commentary (Eng) with facsimile pages | 9790006566655 | |
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| Urtext edition based on “Camille Saint-Saens – Complete Edition of the Instrumental Works” Orchestral parts in a large format (25.5 cm x 32.5 cm) Detailed Foreword (Eng/Fr/Ger) |
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Saint-Saens, Camille | Danse macabre op. 40 | BARENREITER URTEXT Editor: Macdonald, Hugh | BA 8834 | EUR 34.95 | Full score | 9790006567195 | Saint-Saens was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem "Danse macabre" reflects not only his affinity to medieval superstitions but also constitutes a tribute to Liszt's "Totentanz". "Danse macabre" is based on the eponymous song Saint-Saens composed in 1872 on a poem by Henri Cazalis. At its premiere, the work was not well-received; in fact it was booed, possibly due to the "diabolic" solo violin playing with the E string tuned down to E-flat, which the audience might have misinterpreted as being out of tune. However within ten years the work had become so popular that Saint-Saens quoted from it in "The Carnival of the Animals". Since the composer's death, "Danse macabre" is among the works most often mentioned in connection with the theatrical face of death found in popular mortuary cult. | BA 8834-77 | Solo Violin | EUR 4.50 | Minimum order quantity: 1 copy |
| BA 8834-74 | Violin I | EUR 4.50 | Minimum order quantity: 4 copies |
| BA 8834-75 | Violin II | EUR 4.50 | Minimum order quantity: 4 copies |
| BA 8834-79 | Viola | EUR 4.50 | Minimum order quantity: 3 copies |
| BA 8834-82 | Violoncello | EUR 4.50 | Minimum order quantity: 2 copies |
| BA 8834-85 | Double Bass | EUR 4.50 | Minimum order quantity: 2 copies |
| BA 8834-65 | Set of Winds | EUR 69.00 | Minimum order quantity: 1 copy |
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| Soft-cover full score Musical text at the cutting edge of scholarship Based on the G. Henle Complete Edition of the “Works of Joseph Haydn” |
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Haydn, Joseph | Missa in B-flat major Hob.XXII:14 "Harmony Mass" | Editor: Lippmann, Friedrich | BA 4659-02 | EUR 62.00 | Full score | soft-cover | 9790006565368 | Haydn composed his Missa in B-flat major, also known as the "Harmony Mass" in 1802. It is the last of the six great mass settings, which forms the crowning glory of Haydn's vocal music alongside "The Creation" and "The Seasons". Continuing the cooperation between Barenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas, and symphonies, this edition is based on the G. Henle Complete Edition of the "Works of Joseph Haydn". This full score is fully compatible with all existing performance material. | |
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Dvorak, Antonin | Fanfares for the Festive Opening of the Regional Jubilee Exhibition in Prague B 167 | For 4 trumpets in C and timpani in C and G | H 8018 | EUR 7.95 | Score and 5 parts | 9790260108882 | These fanfares for four trumpets and timpani were written by Dvorak for the opening of the Jubilee Exhibition organized in Prague in 1891 to mark the 100th anniversary of the first industrial exhibition in 1791. | |
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| First edition Based on rediscovered sources and thus-far unconsidered text prints Includes facsimiles of the printed texts and of sample pages from musical sources |
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Telemann, Georg Philipp | Festive Music for Altona | Georg Philipp Telemann. Musikalische Werke 66 Editor: Neubacher, Jurgen | BA 7816-01 | EUR 284.00 | Full score | 9790006560097 | Reduced subscription price available | The volume presents, as a first edition, Telemann's surviving compositions for a number of public occasions in Altona. It contains two festive compositions written for the inauguration of the Akademische Gymnasium in 1744, one piece composed for the centennial of the Absolute and Hereditary Monarchy Act in Denmark (1760), one Latin ode to the King of Denmark for a school festivity in Altona, and an excerpt of two arias - the only surviving part of the music composed for the inauguration of Elias Caspar Reichard as Professor of Eloquence and Poetry at the Akademische Gymnasium (1741). The edition was prepared on the basis of the known sources held at the Brussels Conservatory Library, new manuscripts contained in a rediscovered anthology of the Hamburg State Library including those previously unknown compositions, as well as printed texts which had not been considered to date from the Royal Library in Copenhagen. The Foreword provides information regarding Telemann's tenure in Altona. Also included is a catalogue of all related works. Moreover the volume contains a Critical Commentary, facsimiles of the printed texts and sample pages from the musical sources. | |
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List of Sources and References, Registers, Concordances | Das Deutsche Kirchenlied. Kritische Gesamtausgabe der Melodien II/8 Editors: Lutteken, Laurenz / Schiendorfer, Max / Hangartner, Bernhard | BA 8363-01 | EUR 344.00 | 9790006496488 | Reduced subscription price available | |
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To order now, please e-mail to [email protected] or print this out and fax it to +49 (0)561 3105310. Errors excepted; price changes and delivery terms subject to change without notice. Responsible for content (i.S. des § 10 Abs. 3 MDStV): Corinne Votteler. Your contact at Baerenreiter: Carolin Jetter · [email protected] | Fax +49 (0)561 3105310 Baerenreiter-Verlag Karl Voetterle GmbH & Co. KG · Heinrich-Schütz-Allee 35-37 · 34131 Kassel · Germany Managing Directors: Prof. h. c. Barbara Scheuch-Vötterle, Leonhard Scheuch Firma und Registergericht: Kassel HR A 6553 · Komplementärin: Vötterle-Vermögensverwaltungs-GmbH Kassel HR B 3965 Umsatzsteuer-ID-Nr.: DE113096830 Unsubscribe
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