| Barenreiter News - May I 2020 |
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| Bärenreiter News – May I 2020 |
Dear musicians
During these difficult and challenging times, we are pleased to be able to present you with Barenreiter’s new publications.
Further information on these editions and music samples can be found on our website. All editions can be ordered directly from our webstore.
We are still continuing to service all orders and if you have any enquiries, please contact us.
We wish you much strength and confidence for the coming weeks. Stay safe and healthy.
With kind regards
Your international sales and marketing team
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| | Edited on the basis of the “New Schubert Edition”
Access to Schubert’s drafts on the Barenreiter website
Includes valuable notes on performance practice during Schubert’s day (Ger/Eng) |
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| Schubert, Franz | | Piano Sonatas III D 894, 958, 959, 960 | BARENREITER URTEXT
Editor: Litschauer, Walburga | | BA 9644 | EUR 28.95 | 9790006539864 | Volume III of Schubert's Piano Sonatas includes the tuneful, dance-like Sonata in G major D 894 (1827), sometimes called the "Fantasie" sonata, as well as the three great sonatas in C minor, A major and B-flat major (D 958, 959 and 960), which were conceived as a triptych and constitute the composer's greatest contribution to the piano sonata genre. The works pay homage to the three late sonatas of Beethoven.
This scholarly-critical Urtext edition is based on the definitive musical text of the "New Schubert Edition" and presents the works in a spacious new engraving with practical page turns. It includes an informative Foreword and detailed notes (Ger/Eng) on central performance practice issues such as the use of pedals and Schubert's distinctive manner of notating accents. It is rounded off by a Critical Commentary (Eng) with performance-related alternative readings. Schubert's drafts for individual sonata movements can be accessed on the Barenreiter website. | | |
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| | Hardcover vocal score edition
With a singable German translation
Informative bilingual Foreword (Ger/Eng)
Uncluttered idiomatic piano reduction |
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| Mozart, Wolfgang Amadeus | | The Marriage of Figaro K. 492 | BARENREITER URTEXT
Editor: Finscher, Ludwig | | BA 4565-93 | EUR 59.00 | Vocal score (Ital/Ger) | Hardcover | 9790006568963 | Due to numerous customer requests, Barenreiter is successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a slightly lower-priced and lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a singer’s life.
Following the publication of Don Giovanni (BA 4553-93), The Magic Flute (BA 4553-90), Cosi fan tutte (BA 4606-93) and Idomeneo (BA 4562-93) this is now the fifth vocal score we are publishing in a hardback version.
This vocal score is based on Ludwig Finscher’s 1973 edition of "Le nozze di Figaro" published in the "New Mozart Edition" (NMA II/5/16) and the critical commentary by Ulrich Leisinger published in 2007. | | |
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| | Edited on the basis of new sources
1746 version in the main part of the edition, amendments to the 1745 version in the appendix
Libretto by Voltaire
With a performance-orientated piano reduction by Francois Saint-Yves |
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| Rameau, Jean-Philippe | | Le Temple de la Gloire RCT 59 | | Editor: Dubruque, Julien | | BA 8859-90 | EUR 59.00 | Vocal score (Fr) | 9790006558155 | Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series "Opera omnia Rameau" presents a complete edition which enables performances of both versions.
Voltaire refers to Metastasio in his libretto in that he wishes to liberate the opera from the gallant milieu and to make it a moralizing stage work that is equally edifying and political. After a prologue dedicated to envy personified, the tyrants Belus and Bacchus are chased out of the Hall of Fame and finally Trajan is crowned with laurels for defeating the rebels, forgiving them and ultimately turning the Hall of Fame into a public temple.
The music contains many remarkable passages, such as a richly orchestrated overture, the famous monologue "Profonds abimes du Tenare" with obbligato bassoons, and Trajan's artful final scene "Ramage d'oiseaux". | | |
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| | Challenging new music for organ and percussion, including sirens
Medieval imagery in modern sonic garb
A musical reckoning with the past |
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| Szathmary, Zsigmond | | DIES IRAE for Organ and Percussion | Organova 14
| | BA 11258 | EUR 24.95 | 9790006568932 | Zsigmond Szathmary's "Dies irae" for organ and percussion produces an immense impact on listeners with its advanced sonorities. Accordingly, it imposes very high demands on the performers.
"Dies irae, dies illa, solvet saeclum in favilla" (Day of wrath, that day, will dissolve the world in ashes) comprises a 17-stanza medieval sequence dealing with Judgment Day that forms the emotional climax of the Latin Mass for the Dead. In his commentary on this work, the composer describes his childhood memories of the Second World War: "Fear, air-raid shelters, thin caraway soup and the howling of sirens". The latter even find their way into the piece itself. | | |
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| | Schubert's partsongs - the entire spectrum of the genre
46 partsongs for three to five voices of the same register or unison choir
Contains, among others, the remaining fragment of the third setting of J. W. von Goethe's "Gesang der Geister uber den Wassern" |
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| Schubert, Franz | | Partsongs for Voices of the Same Register with Accompaniment | New Schubert Edition III/3a+b
Editors: Martin, Christine / Durr, Walther | | BA 5574-01 | EUR 623.00 | Linen-bound full score | 9790006497423 | | Reduced subscription price available | Franz Schubert's Partsongs for Voices of the Same Register with piano or guitar accompaniment were very popular among his contemporaries, much like his famous Lieder. Schubert learned singing in multiple parts both at home and at school; small cantatas for family festivities and trios for his compositional studies are among his early compositions. Alongside uplifting vocal movements in the style of Michael Haydn, he composed several drinking songs for unison choir. The young composer had his first public success with "Das Dorfchen" (D 598). Starting in 1819, he composed more sophisticated vocal quartets, such as "Gondelfahrer", "Die Nachtigall", and "Nachthelle" for performances at the Vienna Musikverein. Until today, these works are an essential part of the Romantic male voice repertory.
The present volume contains 46 partsongs for three to five voices of the same register or unison choir, representing the entire spectrum of the genre, including diverging versions of some of the songs and some works that remained fragmentary, such as the third setting of J. W. von Goethe's "Gesang der Geister uber den Wassern" | | |
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| | First scholarly-critical edition of this early baroque opera
Published with both research and performance in mind
Detailed background information on the work and its genesis
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| Cavalli, Francesco | Il Xerse
Dramma per musica by Nicolo Minato (Venice, 1655) | Francesco Cavalli – Opere
Editors: Stangalino, Sara Elisa / Schulze, Hendrik | | BA 8915-01 | EUR 369.00 | Linen-bound full score | 9790006556748 | | Reduced subscription price available | In 1738 Georg Frideric Handel penned "Il Xerse" which was to be his last as well as his most famous opera. However in truth, Handel's opera is nothing other than the final chapter in the history of a subject which had been set to music by Francesco Cavalli almost a century earlier: "Il Xerse", performed for the first time in 1655 in the Teatro SS. Giovanni e Paolo in Venice, was one of the most successful operas of its day. This is reflected not only by many well-known revivals throughout Italy, but also by the fact that the opera was chosen to be performed in Paris at the festivities for the wedding of the French King Louis XIV to Princess Maria Theresa of Spain.
Among the strengths of the drama are the comedy and drama of daring situations and surprising turns of the plot. The comic element essentially consists of capricious Xerse's efforts to win over the beautiful vassal Romilda but she is deeply in love with Arsamene, the King's brother. The inevitable intrigues unleash a rich world of emotions in all those involved, depicted by stylistically extremely varied music.
The judiciously prepared scholarly-critical edition of "Il Xerse" forms part of the "Francesco Cavalli – Opere" series and is intended as a basis for research and performance of the opera. The editors Sara Elisa Stangalino and Hendrik Schulze have evaluated numerous historical sources, especially on the libretto of the opera. In addition to the meticulously edited texts of the work they provide a detailed Introduction to the time of the work's genesis, the historical subject matter, the cooperation between librettist and composer, the sources, and the performance practice of this special music. | | |
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To order now, please e-mail to [email protected] or print this out and fax it to +49 (0)561 3105310.
Errors excepted; price changes and delivery terms subject to change without notice.
Responsible for content (i.S. des § 10 Abs. 3 MDStV): Corinne Votteler
Your contact at Baerenreiter: Carolin Jetter · [email protected] · Fax +49 (0)561 3105310
Baerenreiter-Verlag Karl Voetterle GmbH & Co. KG · Heinrich-Schütz-Allee 35-37 · 34131 Kassel · Germany
Managing Directors: Prof. h. c. Barbara Scheuch-Vötterle, Leonhard Scheuch
Firma und Registergericht: Kassel HR A 6553 · Komplementärin: Vötterle-Vermögensverwaltungs-GmbH Kassel HR B 3965
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