Barenreiter News – June 2022 Contents:    New Completion of Mozart's Requiem    Handel's Song for St Cecilia's Day    Vocal Scores to Gluck Operas    Haydn's "Laudon" Symphony    Dear musicians We are pleased to present our newsletter with details on Barenreiter’s new publications. In particular we would like to draw your attention to the new completion of Mozart's Requiem by Michael Ostrzyga. Further information on these editions and music samples can be found on our website. All editions can be ordered directly from our webstore. We look forward to receiving your orders. With kind regards Your international sales and marketing team Please join Barenreiter!     New Completion of Mozart's Requiem Missing sections were completed by drawing from other fragmentary sacred works by Mozart Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment Alternative performance options for the "Lacrimosa", "Sanctus" and "Benedictus" Easy-to-play piano reduction Extensive foreword (Ger/Eng) on the work's history, reception and modern completions, with analytical stylistic critique Detailed Critical Commentary (Eng), partly available as digital edition Mozart, Wolfgang Amadeus Requiem Completed and edited by Michael Ostrzyga BARENREITER URTEXT Editor: Ostrzyga, Michael BA 11310 | EUR 69.00 | Full score | 9790006569199 This publication offers a source-critical edition of Mozart's fragmentary "Requiem" as well as an alternative to the traditional Sussmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart's idiom taking into account historical additions by Sussmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart's church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the "Requiem" fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Sussmayr's historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart's intentions: the "Lacrimosa" may end with or without "Amen" fugue, and the "Sanctus" may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major "Hosanna" from Sussmayr's autograph, a movement which, until now, has not been appreciated as compositionally flawless. Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and a CD recording with Concerto Cologne, Chorwerk Ruhr and Florian Helgath (awarded "Le Disque classique du jour" by francemusique.fr and nominated for Opus Klassik 2021 in the categories "Ensemble", "Choral Recording" and "Editorial Achievement"). BA 11310-65 Wind set EUR 42.95 Minimum order quantity: 1 copy BA 11310-67 Organ / Harpsichord EUR 15.95 Minimum order quantity: 1 copy BA 11310-74 Violin 1 EUR 6.95 Minimum order quantity: 4 copies BA 11310-75 Violin 2 EUR 6.95 Minimum order quantity: 4 copies BA 11310-79 Viola EUR 6.95 Minimum order quantity: 3 copies BA 11310-82 Violoncello / Double Bass EUR 6.95 Minimum order quantity: 4 copies To the full score Mozart, Wolfgang Amadeus Requiem Completed and edited by Michael Ostrzyga BARENREITER URTEXT Editor: Ostrzyga, Michael | Arranger: Piano reduction by Michael Ostrzyga BA 11310-90 | EUR 14.95 | Vocal score (Latin) | 9790006569267 To the vocal score Fact and Fiction - Mozart's Requiem An Introduction (German/English), approx. 250 pages To be published in July Digital Edition - DBA 1088-01 approx. EUR 8.50 Handel's Song for St Cecilia's Day Urtext from the "Halle Handel Edition" Detailed notes on performance practice in the text section (Ger/Eng) Handel, George Frideric Song for St Cecilia's Day HWV 76 Ode to St Cecilia BARENREITER URTEXT Editor: Blaut, Stephan BA 10722 | EUR 44.95 | Full score | 9790006567713 Following upon "Alexander's Feast" (1736), in 1739 Handel produced a second setting of the "Ode to St Cecilia" ("Song for St Cecilia's Day"). At its premiere it was combined with "Alexander's Feast". Rather than a dramatic plot presentable in the theatre, the Ode, in its seven sections, offers a general hymn of praise to music and its impact. Accordingly, it largely consists of emotion-laden arias and festive orchestration. This edition, based on the Urtext from the "Halle Handel Edition", offers the version heard at the first performance - the version preferred in today's concert life. The foreword (Ger/Eng) provides many detailed notes on performance practice with regard to orchestration. BA 10722-65 Wind set EUR 34.95 Minimum order quantity: 1 copy BA 10722-67 Organ EUR 21.95 Minimum order quantity: 1 copy BA 10722-74 Violin 1 EUR 8.95 Minimum order quantity: 2 copies BA 10722-75 Violin 2 EUR 8.95 Minimum order quantity: 2 copies BA 10722-79 Viola EUR 8.95 Minimum order quantity: 1 copy BA 10722-82 Violoncello / Double Bass EUR 8.95 Minimum order quantity: 2 copies To the full score Handel, George Frideric Song for St Cecilia's Day HWV 76 Ode to St Cecilia BARENREITER URTEXT Editor: Blaut, Stephan | Arranger: Piano reduction by Andreas Kohs BA 10722-90 | EUR 17.50 | Vocal score (English) | 9790006567720 To the vocal score Vocal Scores to Gluck Operas Revised and newly engraved (replacing BA 2301-90) Detailed foreword (Ger/Fr/Eng) on the work's genesis and reception history, together with a summary of the plot Practical, easy-to-play piano reduction Gluck, Christoph Willibald Iphigenie en Aulide Tragedy - opera in three acts BARENREITER URTEXT Editor: Flothuis, Marius | Arranger: Piano reduction by Heinz Moehn and Michael Topel BA 5849-90 | EUR 78.00 | Vocal score (French/German) | 9790006562169 "Iphigenie en Aulide" is the first of six operas that Gluck composed for the Academie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural melodies that did justice to every language and every national spirit while eliminating the "ridiculous distinction" between national styles of music. Although the premiere was coolly received at first by the contemporary press, "Iphigenie" developed into a tremendous success. The onrush of listeners was said to have been so great that the management of the Paris Opera considered placing guards in front of the theatre. Now Barenreiter are issuing the carefully revised and corrected vocal score in a new engraving adapted to meet their current standards. Order here Revised and newly engraved (replacing BA 2281-90) Detailed foreword (Ger/Eng) on the work’s genesis and reception history, together with a summary of the plot Practical, easy-to-play piano reduction Gluck, Christoph Willibald Iphigenie auf Tauris Music drama in four acts Vienna Version of 1781 BARENREITER URTEXT Editor: Croll, Gerhard | Arranger: Piano reduction by Heinz Moehn BA 5843-90 | EUR 49.95 | Vocal score (German) | 9790006558711 Following upon the great success of "Iphigenie en Tauride", Gluck arranged the popular drama of human passions, guilt and unconditional friendship once again for Vienna's Burgtheater, where it was premiered in 1781. Especially remarkable is the masterly orchestration, which, among other things, turns the forces of Nature into a character in the drama and projects a striking contrast between civilization and savagery. Now Barenreiter are issuing the carefully revised and corrected vocal score in a new engraving adapted to meet their current standards. Order here Haydn's "Laudon" Symphony First performing Urtext edition Urtext of the Complete Edition "Joseph Haydn Works" published by G. Henle Verlag Orchestral parts in the format 25.5 cm x 32.5 cm Haydn, Joseph Symphony in C major Hob. I:69 "Laudon" Urtext from the G. Henle Complete Edition of the "Works of Joseph Haydn" Editors: Stockmeier, Wolfgang / Gerlach, Sonja BA 10989 | EUR 43.95 | Full score | 9790006575534 Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the "Laudon" Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterhazy between 1775 and 1776. In continuation of the collaboration between Barenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition "Joseph Haydn Works" published by G. Henle Verlag. BA 10989-65 Wind set EUR 55.00 Minimum order quantity: 1 copy BA 10989-74 Violin 1 EUR 11.95 Minimum order quantity: 4 copies BA 10989-75 Violin 2 EUR 11.95 Minimum order quantity: 4 copies BA 10989-79 Viola EUR 11.95 Minimum order quantity: 3 copies BA 10989-82 Violoncello EUR 11.95 Minimum order quantity: 2 copies BA 10989-85 Double Bass EUR 11.95 Minimum order quantity: 2 copies Order here Errors excepted; price changes and delivery terms subject to change without notice. Responsible for content (i.S. des § 10 Abs. 3 MDStV): Ivan Dorenburg Your contact at Barenreiter: Carolin Jetter · [email protected] Bärenreiter-Verlag Karl Voetterle GmbH & Co. KG · Heinrich-Schütz-Allee 35-37 · 34131 Kassel · Germany Managing Directors: Prof. h. c. Barbara Scheuch-Vötterle, Leonhard Scheuch, Clemens Scheuch Firma und Registergericht: Kassel HR A 6553 · Komplementärin: Vötterle-Vermögensverwaltungs-GmbH Kassel HR B 3965 Umsatzsteuer-ID-Nr.: DE113096830 Unsubscribe