| | Urtext edition based on the latest state of research
Reader-friendly engraving with fingering by Martin Widmaier
Detailed Foreword, notes on pedalling (Ger/Eng), glossary (Fr/Ger/Eng) and Critical Commentary (Eng)
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| Debussy, Claude | | Preludes for Piano | BARENREITER URTEXT
Performance score, Urtext edition | Editor(s): Kabisch, Thomas | | BA 10819 | EUR 23.50 | 9790006529209 | Three years after the publication of the first volume, the second volume of Debussy's Preludes was published in 1913. Here the music reflects the impressions of Stravinsky's music on the composer. In his new Urtext edition, the musicologist Thomas Kabisch who specialises in Debussy's piano music presents a reliable text based on the latest research findings and all known sources. The readings and editorial decisions are recorded in the Critical Commentary (Eng).
Fingering by pianist Martin Widmaier makes musical lines audible and supports the realisation of the desired sound. A clear and uncluttered engraving, a detailed Foreword as well as notes on pedalling (Ger/Eng) and a glossary (Fr/Ger/Eng) create the ideal prerequisites for the study of these pieces. | | |
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| | Pioneering edition with the first-time evaluation of an extensive body of sources
With Couperin's original expression marks
Extensive Introduction, notes on historical performance practice and glossary (Fr/Eng)
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| Couperin, François | | Pieces de clavecin. Troisieme livre for Harpsichord | BARENREITER URTEXT
Performance score, Anthology, Urtext edition | Editor(s): Herlin, Denis | | BA 10846 | EUR 48.95 | 9790006505630 | Following the first two volumes of the pioneering new edition, Barenreiter now presents Couperin's "Troisième livre" of the
"Pieces de clavecin" (1722) edited by Denis Herlin. In addition to the six "Ordres", the third book also contains the four "Concerts royaux".
For this new Urtext edition, for the first time, Herlin has evaluated the many reprints of the original edition, most of which he unearthed himself in international libraries. All variants are meticulously recorded in the Critical Commentary (Eng).
The comprehensive edition contains an extensive Introduction, notes on historical performance practice and a glossary (all in Fr/Eng) as well as numerous facsimile illustrations. The engraving preserves essential characteristics of the original print while largely dispensing with page-turns. | | |
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| | More fun playing together
Simple piano part
Valuable support for young violinists
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| Sassmannshaus, Kurt | Early Start on the Violin 1
Piano accompaniment | Barenreiter's Sassmannshaus
Performance score | Arranger: Katsumoto, Ryoko | | BA 10751 | EUR 12.95 | 9790006567751 | Every year, many young children learn to play the violin with the "Early Start on the Violin" method by Egon and Kurt Sassmannshaus. However even the youngest players enjoy trying their hand at playing together with others. In order to allow them to get a feel for rhythmic steadiness and playing in tune, the entire first volume of the Sassmannshaus violin method has been enhanced by a piano
accompaniment.
The piano part provides a harmonic background for each piece as well as an effective musical support for the young violinist. The accompaniment is easy to play and ideal for use by the violin teacher or a parent. | | |
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| | Based on the "Halle Handel Edition"
Newly-engraved conducting score, vocal score and orchestral parts
Includes a more playable piano reduction brought up to current standards
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| Handel, Georg Friedrich | | Passion nach Barthold Heinrich Brockes HWV 48 | BARENREITER URTEXT
Urtext edition | Editor(s): Schroeder, Felix | | BA 11311 | EUR 74.00 | 9790006574650 | Score | BA 11311-90 | EUR 27.95 | 9790006574469 | Vocal Score
Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled "Der für die Sünde der Welt gemarterte und sterbende Jesus" ("The Story of Jesus, Suffering and Dying for the Sins of the World"). Handel's affinity to opera is evident in the musical realisation of the emphatic text as he creates a synthesis between traditional Protestant church music and the depiction of human passion in the manner of opera seria.
This edition is based on the corresponding volume of the "Halle Handel Edition" (BA 4021). The full score, parts and vocal score have been newly engraved. The piano reduction has been simplified and brought up to today's standards, thus making it much more manageable to play. | | | | |
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| | Urtext edition based on the "Halle Handel Edition" (HHA)
With literal German and English translations
Comprehensive Foreword (Ger/Eng)
Idiomatic uncluttered piano reduction
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| Handel, Georg Friedrich | | La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a | BARENREITER URTEXT
Vocal Score, Urtext edition | Editor(s): Pacholke, Michael | Arranger: Sokolowski, Christopher | | BA 10721-90 | EUR 29.95 | 9790006568680 | Handel composed his first Italian oratorio "La Bellezza ravveduta nel trionfo del Tempo e del Disinganno" in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili who also commissioned this work.
Disinganno (Illumination) and Tempo (Time) try to get the young, beautiful and frivolous Bellezza (Beauty) to recognise the true values of life and to act accordingly. The audience accompanies Bellezza in her spiritual development, in which she increasingly distances herself from Piacere (Pleasure) and listens more and more to Tempo and Disinganno.
The oratorio contains some of the most beautiful music Handel ever composed. This includes the enchanting aria "Lascia la spina", in which he uses the music of the sarabande from the opera "Almira", composed in Hamburg in 1704, and which then achieved immortal fame in "Rinaldo" (1711) as "Lascia ch'io pianga".
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| | One of Haydn’s most popular "Sturm und Drang" symphonies in a performing edition
Based on the Urtext of the G. Henle Complete Edition of the "Works of Joseph Haydn"
Orchestral parts in a large format (25.5 cm × 32.5 cm)
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| Haydn, Joseph | | Symphony in E minor Hob. I:44 | | Score, Urtext edition | Editor(s): Friesenhagen, Andreas / Wilker, Ulrich | | BA 10988 | EUR 32.95 | 9790006574933 | Associating the term "Sturm und Drang" with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his symphonies: works characterised by an impetuous, colourful tonal language, featuring minor keys prominently, with rapid tempo sequences and effects taken from contemporary opera such as tremolos and recitatives.
The Symphony in E minor Hob. I:44 was composed towards the end of this creative period and certainly showcases the "Sturm und Drang" dramatic style with its resolute unison main theme in the opening movement, a sustained dance and sensitive slow movement as well as a Presto finale. The work received the nickname "Mourning" Symphony in recent reception history because of its melancholic character and the anecdote that Haydn chose the third movement (Adagio) as his funeral music.
| | BA 10988-74 | Violin I | EUR 9.95 | Minimum order quantity: 4 copies |
| | BA 10988-75 | Violin II | EUR 9.95 | Minimum order quantity: 4 copies |
| | BA 10988-79 | Viola | EUR 9.95 | Minimum order quantity: 3 copies |
| | BA 10988-82 | Basso | EUR 9.95 | Minimum order quantity: 4 copies |
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| Rameau, Jean-Philippe | | Les Paladins RCT 51 | | Score, Urtext edition, Anthology | Editor(s): Soury, Thomas | | BA 8893 | EUR 74.00 | 9790006567560 | This edition presents a further dramatic jewel for the stage by Jean-Philippe Rameau. It comes with a vocal score for study and rehearsals as well as with a compilation of the purely instrumental parts for performance as a suite in the concert hall.
In view of the wealth of the work's musical treasures and the stylistic innovations – similar to the "Boreades" – the rather frosty reception of the premiere series in the spring of 1760 seems completely incomprehensible to us today. It led to this Comedie ballet not being performed until well into the 20th century. The story that the ballet tells is based on a fable by La Fontaine, "Le Petit chien qui secoue de l'argent et des pierreries" (i.e. "The little dog who shakes silver and stones"). In medieval Veneto, the guardian Anselme undermines the love affairs of his ward Argies. Scenes of tragic expression are contrasted with folk-comic ones; and last but not least, the sexually ambiguous fairy Manto may have caused difficulties for the bold work at the Paris Opera.
The critical new edition published as part of the "Opera omnia Rameau" series offers the final version, supplemented in the appendix by the variants of the original version. Since "Les Paladins" remained unpublished during Rameau's lifetime and was also not included in the "OEuvres complètes", this is the first edition of the work. It satisfies both scholarly demand and the practical needs of musicians. | | | | |
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| Gade, Niels Wilhelm | | Symphonie no. 1 op. 5 | Niels W. Gade. Werke I/1
Complete edition, Score, Urtext edition | Editor(s): Sørensen, Inger / Oechsle, Siegfried | | BA 7604 | EUR 435,00 | 9790006487615 | | Price reduction for a subscription | "I can't remember when another work made a more lively, beautiful impression on me" – this is what a very enthusiastic Felix Mendelssohn wrote to Niels Gade in January 1843. On March 2nd he premiered Gade's C minor Symphony at the Leipzig Gewandhaus. On 26 October of the same year the 26 year old Danish composer conducted the second performance himself and in the following year he was engaged as co-conducter of the Gewandhaus concerts.
His first symphony, however, was to remain Gade's greatest success: unique are its colourful instrumentation, atmospheric melodies and the characteristic sound world which we know as Nordic.
This volume presents Gade's opus 5 as volume I.1 of the Complete Edition "Niels W. Gade / Works", edited by Finn Egeland Hansen. The volume also contains a preface by Inger Sørensen as well as a separate discussion of the musicological reception of this central work. | | |
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Hot off the Press!
Music for Strings 2022/2023
SPA 234 | Format DIN A5 | English | free-of-charge
This new catalogue includes Barenreiter's complete Urtext programme as well as all educational titles and collections for string instruments.
You can flip through the catalogue or download it. | | |
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Errors excepted; price changes and delivery terms subject to change without notice.
Responsible for content (i.S. des § 10 Abs. 3 MDStV): Ivan Dorenburg.
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