 | Based on the Urtext of the new revised volume of the G. Henle Complete Edition “Works of Joseph Haydn”
Vocal text in Latin
Replaces the performance material BA04654 and is not compatible with it |
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| Haydn, Joseph | Missa Cellensis Hob. XXII:8 "Mass for Mariazell"
| URTEXT
Editor: Friesenhagen, Andreas | | BA 11320 | EUR 49.50 | Full score | 9790006578962 | BA 11320-90 | EUR 24.95 | Vocal score (Latin) | 9790006578979
The “Missa Cellensis”, composed in 1782, is better known as the “Mass for Mariazell”, in reference to the pilgrimage site of Mariazell in Styria (Austria), where it was performed.
Due to the revision of the respective Complete Edition volume published by G. Henle Verlag, it became necessary to adapt the performance material, published by Bärenreiter, accordingly. This primarily concerned the instrumental parts but also the piano reduction, though to a lesser extent. Moreover, a performing edition of the full score with the current musical text is available for the first time. | | | | | | | | | | | | BA11320-82 | Bassoon, Violoncello, Double bass, Organ | EUR 10.95 |
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| Rameau, Jean-Philippe | Les Fêtes de Ramire RCT 40
Ballet in one act | | Editor: Dubruque, Julien | | BA 8876-90 | EUR 17.50 | Vocal score (French) | 9790006579624 | This work tells the love story between Fatime, accused of murdering her father, and the king’s son Ramire, who is in love with her and frees her from the captivity of his father Alphonse, the King of Castile.
This opera in the form of a one-act ballet was only performed once on 22 December 1745 in Versailles and is one of Rameau's lesser-known works. It has only been performed again in the recent past.
The commission for “Les Fêtes de Ramire” did not go to Rameau himself, but to Jean-Jacques Rousseau. Nevertheless, the opera was based on Rameau's comédie-ballet “La Princess de Navarre”, which had been performed just a few months earlier and whose libretto was written by Voltaire, who shortened it for “Les Fêtes de Ramire”. Rousseau added the overture and new transitions to the work. Although, according to Rousseau, all the changes were reviewed by Rameau at the last minute, he did not have enough time to compose new music.
Voltaire himself described his own libretto as ‘wretched’ and the few minutes of music by Rousseau have mainly curiosity value, however, the density of outstanding compositions by Rameau, many of which were later incorporated into his other works, makes a performance well worthwhile. |
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| Schubert, Franz | | Partsongs with Orchestral Accompaniment | New Schubert Edition III/1
Editors: Papadopoulou, Vasiliki / Kube, Michael | | BA 5575-01 | EUR 398.00 | Linen-bound full score | 9790006578436 | | Reduced subscription price available | Volume III/1 of the “New Schubert Edition” presents Franz Schubert’s partsongs with orchestra or instrumental ensemble. The instrumentation of these nine compositions is varied, ranging from male voices with low strings in “Gesang der Geister über den Wassern” (D 714) or male voices with four horns in “Nachtgesang im Walde” (D 913), to larger-scale occasional works featuring woodwinds, horns, trombones, timpani, vocal soloists, and strings, as in the “Spendou Cantata” (D 472). The fragmentary draft of “Gesang der Geister über den Wassern” is also included in the appendix. ...
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| Handel, George Frideric | | Cantatas for solo voice and basso continuo | Halle Handel Edition (HHA) V/1.1
Editor: Jones, Andrew V. | | BA 10729-01 | EUR 283.00 | Linen-bound full score | 9790006578580 | | Reduced subscription price available | Handel’s cantatas for solo voice and basso continuo are jewels waiting to be discovered. They number over 80, and are probably the least known body of compositions that Handel wrote; their neglect is astonishing in view of the extraordinary technical skill and imagination that are displayed by a composer who (when he started writing cantatas) was in his early 20s. Not only the musical quality of the cantatas but also their variety are perhaps all the more surprising in view of Handel’s most common starting-point: a poem expressing the love – usually unrequited – between nymphs and shepherds. ...
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| Digital editions | |
We are steadily digitizing our catalogue.
In the past few weeks, many editions have already been made available for download.
Have a look for yourself! |
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| What is Bärenreiter Urtext? |
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Bärenreiter Urtext.
Your next performance is worth it. | |
SPA00170-02 | Format A4 | 6 pages, fold-out | English | gratis
SPA00170-23 | Format A4 | 6 pages, fold-out | Chinese | gratis | What is Urtext? Isn’t it simply a transcription of the autograph into modern notation?
We’re often asked this question. Our new flyer offers a concise explanation—complete with an example—of what defines a Bärenreiter Urtext edition. | | |
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