Aug. 9: Your lens to the interne t's most powerful photographs. 📸

Aug. 9: Week in Photography

Your lens to the internet's most powerful photographs.

📸 MOST POWERFUL PHOTO OF THE WEEK 📸

Patrick Baz / AFP via Getty Images

The cataclysmic explosion that rocked Beirut this week was only the latest, and most destructive, blow to Lebanon, which has already seen the collapse of its currency and ongoing political unrest this year.

Images and videos of the blast show widespread wreckage that is difficult to comprehend happening in an instant. This photo by Patrick Baz of a man, sitting alone and injured on a damaged street in a posh neighborhood in the aftermath of the destruction, quietly captures the shock that comes with contemplating the scale of the personal devastation that many Lebanese citizens are facing.

📸For Your 👀 Only:

THE SOPHISTICATED STORY OF THESE PLAYFUL LANDSCAPES

John Pfahl was a fine art photographer based in Buffalo who was known for his innovative landscape photography, which often used optical manipulation to make unique, and playful, images that reflect on the relationship between man and nature. Pfahl died of COVID-19 in April of this year. We spoke with Janet Borden, his longtime friend and gallerist, about his work.

CAN YOU TALK ABOUT THE PROJECT "ALTERED LANDSCAPES"?

He was fascinated with the way the camera interprets what's in front of it. And it's a photograph vision in these cases, all of these setups are total illusions that only work from the vantage point of the camera. So like the image of aluminum foil on the tree, "Australian Pines" it's called, that's probably 6 feet of aluminum foil wrapped around each tree. They're all very elaborate setups that only work photographically. If you're standing there, it doesn't look like that. It's really smart. He likes to make it look silly, but it was really cool. We always used to say that he was “smart, pretty, calm,” but that's a great combo.

Moonrise Over Pie Pan, Capitol Reef National Park, UT. 1977

John Pfahl courtesy Janet Borden Inc. NYC

They're all done with a 4-by-5 camera. He could just figure out how to do it, and then he would have assistants with help sometimes just so he didn't have to run back and forth all the time from the cameras to check it out.

He wasn't just interested in taking pretty pictures. For instance, he has that really funny one, "Moonrise over Pie Pan", making fun of an Ansel Adams photograph. But his picture is just as pretty, you know. It is a good pastiche, but it's still gritty; it's still beautiful. And he usually would sort of have some sort of conceptual overlay, I would say, to each of his projects.

DID HE THINK A LOT ABOUT HOW HUMANS INTERACTED WITH LANDSCAPES?

Always, always, always, always. The nature ones are always sort of about that, and the power places were really quite shocking, because they didn't look like that. He did another series called smoke, and they were really beautiful cloud landscapes, but they're all that sort of toxic smoke being blown out of Bethlehem Steel and blown out of companies.

So he was always, you know, a conservationist, I would say. I think what he loved is that push-pull between humans and nature.

The Big Dipper, Charlotte, NC. 1976

John Pfahl courtesy Janet Borden Inc. NYC

CAN YOU TALK ABOUT SOME OF HIS OTHER PROJECTS?

There's a wonderful collection called Power Places. He went around to places where there were nuclear reactors. He would make a beautiful landscape with that in it, and it was the idea that you would incorporate this frightening concept into the beauty of the landscape.

It would be ridiculous for a person in the year 2000 to take just a pretty landscape, you know?

Ridiculous isn't the right word. I guess I think that that would just be sort of banal.

You know, that's sort of what separates art from snapshot. I could go on forever about that difference. The intent is very important in art, and people forget about that.

ANY FINAL THOUGHTS?

The world is more interesting than any of my opinions about it. What photography does is it shows things in a way that talking about them doesn't, doesn't hit, you know, so viscerally. And these are so beautiful and they're so charming. It takes great effort to make things look better, especially altered landscapes because they just look simple.

Outlined Boulders, Red Rock Canyon, CA. 1976

John Pfahl courtesy Janet Borden Inc. NYC

📸THE WEEK'S PHOTO STORIES FROM BUZZFEED NEWS 📸

This week, the shocking explosion in Beirut this week captured much of the world's attention, with images of destroyed neighborhoods and upended lives underlining the fragility of everyday existence. It's a good reminder to appreciate the little things.

Find more of the week's best photo stories here.

THESE PHOTOS FROM HIROSHIMA WERE CLASSIFIED FOR YEARS

Bernard Hoffman/The LIFE Picture Collection via Getty Images

THE DEVASTATING AFTERMATH OF THE BEIRUT EXPLOSION

AFP / Getty Images

INSPIRING PHOTOS THAT YOU WILL NOT BELIEVE WERE TAKEN ON A PHONE

Sergio Ricardo Valencia

📸SOME HOPE 📸

Guglielmo Mangiapane / Reuters

"That's it from us this time — see you next week!" —Gabriel and Kate

📝 This letter was edited and brought to you by the News Photo team. Gabriel Sanchez is the photo essay editor based in New York and loves cats. Kate Bubacz is the photo director based in New York and loves dogs. You can always reach us here.
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