Fund independent journalism |
|
|
| | | Zooming in on nature, sounding out a stone and sculpting space – the week in art | | What science learns from photography, a painterly look at an ancient boulder and Noémie Goudal’s ‘contours of certainty’ – all in your weekly dispatch | | | Creating wax models of insects … Grace Edwards at work in October 1926, showing as part of Nature in Focus. Photograph: The Natural History Museum/Alamy | | | | Exhibition of the week Nature in Focus To celebrate the 60th anniversary of its wildlife photographer of the year competition, the Natural History Museum takes a look at how photography enhances our knowledge of nature. • Natural History Museum, London, until 19 July 2025 Also showing Home Uneasy photographs of life and death in Ukraine under Russia’s unprovoked attack. • Stills Gallery, Edinburgh, until 5 October Hayley Barker A surreal depiction of the Ringing Stone, a curious boulder whose acoustic properties have been revered since prehistoric times, adds folk horror to this painterly show. • Ingleby Gallery, Edinburgh, until 31 August LAIKA: Frame x Frame The secrets of stop-go animation are revealed by this retrospective of the studio behind Coraline and Box Trolls. • Blue Room, BFI Southbank, London, until 1 October Noémie Goudal Photography and sculpture exploring the mysterious nature of space. • Mostyn, Llandudno, until 7 September Image of the week | | | | A statue of Priscilla Chan, Mark Zuckerberg's wife. Photograph: Mark Zuckerberg via Instagram | | Mark Zuckerberg raised eyebrows by commissioning a giant sculpture of his wife, Priscilla Chan. In a photo of the statue, posted to Instagram, the Facebook CEO and co-founder said he was “bringing back the Roman tradition of making sculptures of your wife”. The large sculpture was made by Daniel Arsham, a New York-based artist who has collaborated with brands including Tiffany and Dior. Chan is rendered in green and appears to be mid-stride, with a large silver cloak flowing behind her. Read the full story. What we learned From Cyprus to the Berlin Wall, we found the top spots for al fresco art in Europe NYC’s Met Museum has gone big on Japanese poetry, calligraphy and painting A survey has suggested that arts and crafts give greater life satisfaction than work Monet’s inspirations can be seen all over central France French customs officers thwarted the €1.3m sale of a fake Leonardo da Vinci painting Nek Chand, who handbuilt a 25-acre outsider masterpiece, never felt he was an artist Banksy artworks are popping up everywhere. These are the best (and worst) Chile’s political struggles are played out in public art and graffiti Masterpiece of the week Orpheus by Roelandt Savery, 1628 | | | | | | Orpheus charms the animals with music in this painting by an artist who was fascinated by nature. Painting at a time when the curiosity of the Renaissance was giving birth to modern science, Savery spent part of his career at the court of the eccentric emperor Rudolf II in Prague, where natural wonders were collected and the astonomers Tycho Brahe and Johannes Kepler employed. His most famous painting today is The Dodo – – one of the few images of this now extinct bird that may record its living appearance. There doesn’t seem to be a dodo in this idyllic, blue-tinged landscape but lions, a pelican, an elephant, swans, deer, cattle, goats and a peacock are among the many creatures drawn together by the sweet music of Orpheus. They are all at peace: a hunting dog seems to want to make friends with a stag. • National Gallery, London Don’t forget To follow us on X (Twitter): @GdnArtandDesign. Sign up to the Art Weekly newsletter If you don’t already receive our regular roundup of art and design news via email, please sign up here. Get in Touch If you have any questions or comments about any of our newsletters please email [email protected] | |
A staple of dystopian science fictions is an inner sanctum of privilege and an outer world peopled by the desperate poor. The insiders, living off the exploited labour of the outlands, are indifferent to the horrors beyond their walls. As environmental breakdown accelerates, the planet itself is being treated as the outer world. A rich core extracts wealth from the periphery, often with horrendous cruelty, while the insiders turn their eyes from the human and environmental costs. The periphery becomes a sacrifice zone. Those in the core shrink to their air-conditioned offices. At the Guardian, we seek to break out of the core and the mindset it cultivates. Guardian journalists tell the stories the rest of the media scarcely touch: stories from the periphery, such as David Azevedo, who died as a result of working on a construction site during an extreme heat wave in France. Or the people living in forgotten, “redlined” parts of US cities that, without the trees and green spaces of more prosperous suburbs, suffer worst from the urban heat island effect. Exposing the threat of the climate emergency – and the greed of those who enable it – is central to the Guardian’s mission. But this is a collective effort – and we need your help. If you can afford to fund the Guardian’s reporting, as a one-off payment or from just £4 per month, it will help us to share the truth about the influence of the fossil fuel giants and those that do their bidding. Among the duties of journalism is to break down the perceptual walls between core and periphery, inside and outside, to confront power with its impacts, however remote they may seem. This is what we strive to do. Thank you. | Support the Guardian |
George Monbiot, Guardian columnist |
| |
|
|
Manage your emails | Unsubscribe | Trouble viewing? | You are receiving this email because you are a subscriber to Art Weekly. Guardian News & Media Limited - a member of Guardian Media Group PLC. Registered Office: Kings Place, 90 York Way, London, N1 9GU. Registered in England No. 908396 |
|
|
|
| |