York gets flower power, Kew goes immersive and Wendy Red Star heads to London – the week in art

Still lifes by Henri Fantin-Latour, Islamic architectural inspiration and recent acquisitions at the British Museum – all in your weekly dispatch

Pink Roses, 1881, by Henri Fantin-Latour in Bloom at York Art Gallery. Photograph: York Art Gallery (York Museums Trust)

Exhibition of the week

Bloom
Images of flowers, including still-life paintings by the wonderful Henri Fantin-Latour, Jan van Os and others, and an installation by Jade Blood.
York Art Gallery until 8 October

Also showing

Markéta Luskačová
Retrospective for this Prague-born photographer of British society, including her sympathetic images of children.
Stills Gallery, Edinburgh, until 7 October

A visitor admires the title piece All the Flowers Are for Me by Anila Quayyum Agha at Kew Gardens. Photograph: Jonathan Brady/PA

Anila Quayyum Agha– All the Flowers Are for Me
An immersive installation inspired by Islamic architecture and its refined use of light.
Kew Gardens, London, until 17 September

Flora Yukhnovich and Daniel Crews-Chubb
Big splashy colour-pumped paintings that respond to the Ashmolean’s collection.
Ashmolean Museum, Oxford, until 14 January

Paul Bril to Wendy Red Star
A chance to see prints and drawings recently collected by the museum from Bril’s European baroque art to a radical work by Apsáalooke (Crow) artist Wendy Red Star.
British Museum, London, until 10 September

Image of the week

After surrendering at the Fulton county jail in Georgia in relation to charges of election interference, Donald Trump had his booking photograph taken: an instantly famous image which joins a long list of celebrity mugshots, from Bugsy Siegel to David Bowie, telling the story of American culture and politics from the wrong side of the police photographer’s lens. Donald Trump Jr has already labelled this image “the most iconic photo in the history of US politics”. Read more about it here

What we learned

Life’s tough for the treasures of Yorkshire Sculpture Park

Hundreds of items have been “missing” from British Museum since 2013

A Tory MP accused Greece of opportunism over the missing British Museum items

The largest-ever survey of First Nations Australian art opened in New Zealand

Three men were convicted after a Met police sting operation recovered a stolen £2m Ming vase

Martin Wong’s politically prophetic work becomes a surprise summer hit

Art can show the power and limitations of trust

Rishi Sunak’s bee portrait came in for some stinging criticism

45th Parallel is Turner prize-winning artist Lawrence Abu Hamdan’s best film yet

Words take shape in myriad ways at the Henry Moore Institute in Leeds

Melvyn Bragg is to step down from presenting The South Bank Show after 45 years

Masterpiece of the week

A Vase of Flowers by Jan Brueghel the Elder, circa 1607-08

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In his own way the Flemish painter Jan Brueghel was a revolutionary like his father, Pieter Breugel the Elder – but a lot quieter. Where Pieter painted carnivals, war and plague, Jan specialised in flowers. His still lifes helped to put this gentle, metaphysical subject at the forefront of European art at the end of the Renaissance. His flower pieces were collected in Italy and imitated from Spain to Holland. This is a wondrous example of their richness and complexity. You lose count of the colours and forms of all these blooms. The artist’s own emotions are on show among the petals. He doesn’t look at these natural specimens clinically but with a soft poetic lyricism. The abundance of nature moves him, and by looking at this overflowing vase, we, too, are moved.
Fitzwilliam Museum, Cambridge

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