Your weekly art world low-down: news, ideas and things to see Darkness from Serra, delights from Siena, and a polar bear sound asleep – the week in art | Art and design | The Guardian
Fund independent journalism |
|
|
| | | Darkness from Serra, delights from Siena, and a polar bear sound asleep – the week in art | | Richard Serra’s final works, phenomenal medieval art, Egypt for kids, Polish movie poster magic and nature photography at its finest – all in your weekly dispatch | | | Night and nothingness … Hitchcock I by Richard Serra, 2024. Photograph: Courtesy Cristea Roberts Gallery, London © Photo Joshua White | | | | Exhibition of the week Richard Serra: The Final Works Glimpses of night and nothingness in the last works by this formidable abstract artist. • Cristea Roberts Gallery, London from 13 March to 26 April Also showing Siena: The Rise of Painting Phenomenal exhibition that will make you fall in love with medieval art, full of ravishing works by Duccio, Simone Martini and more. • National Gallery, London, from 8 March to 22 June Deutsche Börse prize This year’s shortlisted artists Cristina De Middel, Rahim Fortune, Tarrah Krajnak and Lindokuhle Sobekwa show their stuff. • Photographers’ Gallery, London, until 15 June Making Egypt This exhibition of ancient Egyptian art and history is a blockbuster for children - what a great idea. • Young V&A, London, until 2November Format 25: Conflicted Open call, international survey of how photographers are documenting conflicts of all kinds. • Derby city centre venues from 13 to 30 March Image of the week | | | | Polar Bear Amid Fireweed Blooms. Photograph: Christopher Paetkau | | Winners of the second annual Nature Photography Contest were announced this week, with the photography of the year award going to Polar Bear Amid Fireweed Blooms by Christopher Paetkau. See the rest of the winners here. What we learned A new exhibition shows how Polish film poster artists navigated communist censors Artists must leave a Dalston street that nurtured Oscar winner Daniel Blumberg ‘Art always has a sensual aesthetic,’ says Martha Edelheit, 93, of her erotic exhibition Designers are rethinking “human-centric” approach in favour of nature and animals A Washington DC gallery been accused of caving in to Donald Trump’s anti-DEI drive Les Misérables author Victor Hugo spent much of his time drawing The late Australian performance artist Leigh Bowery had a singular artistic vision Lubaina Himid says the British pavilion at the Venice Biennale is her dream venue German expressionists’ works on paper are peculiarly well suited to our times Wildly popular Scottish painter Jack Vettriano has died aged 73 A “spectacular” stolen Brueghel has been found in a provincial Dutch museum Blind artist Bianca Raffaella explained how painting with her thumbs adds to the work Seven hundred years ago, western art came alive in Siena, Italy A portrait of Lady Jane Grey, England’s ‘nine-day queen’, may have been discovered Masterpiece of the week Portrait of Constantijn Huygens and his clerk by Thomas de Keyser, 1627 | | | | | | Constantijn Huygens, Lord of Zuilichem, looks as approachable and down to earth as he is important in this very likable portrait. Huygens was a towering political influence in the young Dutch Republic who had recently come back from diplomatic work in England. You can see the symbolic stuff of his public life surrounding him in his study, including two huge globes and a pen ready to write his next weighty missive. On his desk are architectural plans, and behind him a fine tapestry. A servant or clerk is handing him an urgent letter. Yet Huygens was also a cultured individual who spotted the genius of the young Rembrandt and his friend Jan Lievens. The real power of De Keyser’s portrait is in its sensitive capturing of Huygens’s pale, alert features and nonchalant pose. Wearing unshowy but expensive clothes, Huygens here is the epitome of style, civility and intellectual curiosity. • National Gallery, London Sign up to the Art Weekly newsletter If you don’t already receive our regular roundup of art and design news via email, please sign up here. Get in Touch If you have any questions or comments about any of our newsletters please email [email protected] | |
| … there is a very good reason why not to support the Guardian | Not everyone can afford to pay for news. That is why our website is open to everyone. But – if you can afford to do so – here are three good reasons why you might consider becoming a Guardian supporter today: | 1 | Your funding means we can be completely independent |
| 2 | High-quality, trustworthy journalism is a public good |
| 3 | You can support us however you like |
| Help power the Guardian’s journalism at a time when misinformation is rife online and good news can be hard to find. It could be a one-off payment or a regular monthly amount of your choice. Thank you. | Support us |
|
|
| |
| | id: 'cb13'}} Manage your emails | Unsubscribe | Trouble viewing? | You are receiving this email because you are a subscriber to Art Weekly. Guardian News & Media Limited - a member of Guardian Media Group PLC. Registered Office: Kings Place, 90 York Way, London, N1 9GU. Registered in England No. 908396 |
|
|
|
| |