Seeing the light …Monadic Singularity by Anish Kapoor at Liverpool Cathedral. Photograph: Rob Battersby Photography
Jonathan Jones
Exhibition of the week
Anish Kapoor The intense colours and spatial paradoxes of Kapoor’s art find a fitting home in the grand gothic spaces of Liverpool Cathedral. • Liverpool Cathedral until 15 September
In their dreamlike strangeness, Anastasia Samoylova’s FloodZone images are neither documentary nor art photography but possess elements of both, while evoking the unsettling atmosphere of a world where life attempts to continue as normal in the face of impending existential catastrophe. A new book, Adaptation, is a chronological survey of her career to date, and her photos are on show at the Saatchi Gallery in London and the Met in New York this autumn.
The Virgin and Child with Musical Angels by the Master of the St Bartholomew Altarpiece, circa 1485-1500
The visible and invisible, everyday and supernatural worlds fantastically intertwine in this north European medieval masterpiece. Look at how real and ordinary the Virgin Mary’s face is, a million miles from the classical perfection Italian artists were giving her at this time. As she offers Jesus her breast milk, the artist fills this lifelike moment with celebration as flowers bloom and tiny angels play musical instruments in a heavenly orchestra. A rich mixture of skill and crudeness enhances this painting’s joyous charm. It leads you, not into elevated theological concepts, or art for art’s sake, but rather the mentality of devotion to the Virgin Mary only a few decades before the Reformation began. Probably commissioned for private use, it provided its pious owner with a Virgin Mary who is both a woman next door and a heavenly intercessor. Soon Martin Luther would condemn such consoling idolatry. • National Gallery, London
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