WeeklySeptember 11, 2021 • View in browserA note from our publisher: These past 18 months have presented us with many challenges. Like so many other organizations and businesses, we’ve had to be nimble and work quickly to adapt our approach to reporting and the ways in which we are funded. The membership program we launched last year has already made us stronger and more financially independent. If you are not already a member, please consider joining us today to help us continue to publish the reporting and criticism that you’ve come to expect from Hyperallergic over the past 10+ years. It’s not an understatement to say your support is critical to our survival, and is so important to our ultimate goal of becoming a fully member-supported publication. In addition to recent changes in our funding model, we’re also adjusting how we reach out to you to share our stories, and reducing areas of overlap that crept up over the years. Welcome to our new Weekly Newsletter! This new email, which will be sent every Saturday morning, will include a collection of the best articles and reviews published that week, art news you may have missed, and more. We hope that this email becomes the best way to catch up and stay up to date on what we publish each week. The reviews, news, and features you’ve come to appreciate in our Weekend, Week in Review, and Sunday Edition emails will now appear in our Daily Newsletters. We’ll be evolving the format of this email and experimenting over the coming weeks, so if you have any feedback, please just respond to the email to let us know. And if you’d rather not receive our new Weekly Newsletter, you can update your preferences to customize your email subscription. — Veken Gueyikian, Publisher Xiao Wang, "Drinkers" (2021), oil on canvas, 60 x 40 inches (courtesy the artist, Spring/Break Art Show) If you're in NYC this weekend, we’ve rounded up a list of fairs, exhibitions, and events for you to explore, including Independent, Spring/Break Art Show, Art on Paper, and much more! Seeing the Armory Art Fair as a Chance to Reconnect The Future Is Collaborative: A New Fair Embraces Unlikely Pairings and Profit-Sharing With a Medieval Flair, Spring Break Art Show Celebrates the Eccentric NEWS THIS WEEK "Blocked" by Alejandro Prieto. Overall Winner and Bird Photographer of the Year 2021 Alejandro Prieto’s image of a roadrunner at the US-Mexico border wins the top prize in this year's Bird Photographer of the Year awards. The largest Confederate monument in the South, Richmond's Robert E. Lee statue finally comes down. Artist Pedro Reyes's sculpture of an Olmec woman will replace a statue of Columbus in Mexico City’s Paseo de la Reforma. The HistoryMiami Museum is preserving the Surfside Wall of Hope, a temporary memorial to the victims of the Champlain Towers collapse. Strike MoMA announces “Phase 2” of protests, kicking off a week of activities and organizing leading up to a city-wide action on September 17. ART Anti-Apartheid protest in Trafalgar Square, London November 1985 Janine Wiedel (1985), Charting Black Resistance in the UK Since the 1940s
When Artists Are Hackers The Lyrical and Funny Art of Erasing Words From Books Pat Adams, “Interior Matters” (1987), mixed media on paper, 18 x 25 1/2 inches Beer With a Painter What Does It Mean to Exhibit Nature? Who Owns the Earth? SPONSORED SVA Continuing Education Offers 170+ Courses Online and On-campus in NYCCourses are available in a variety of subjects including fine arts, film, art & activism, visual narrative, and more. Fall courses begin September 20. Learn more. CAPTURING HISTORY Sergei Prokudin-Gorsky, Group of workers harvesting tea near Chakva in Georgia, 1905-1915 Billy Anania explains how Sergey Prokudin-Gorsky and Maxim Dmitriev captured life under the last tsar, presenting different facets of Russia at the turn of the 20th century. Bryan Martin examines the rich history of Mbari Ritual Houses and their broader influence on modernism, as well as their extinction at the hands of colonial and postcolonial violence. Legarsi alla Montagna revisits the photographs of artist Maria Lai's initiative to tie a Sardinian village to a nearby mountain. OPINION Marc Garrett and Ruth Catlow explore thepotential of public art spaces as platforms for both shared experiences and expressing community needs. Charlotte Kent looks into the manipulation of visual culture and the impact of appearances on the recognition and credibility of internet imagery. Richard Misek addresses the importance of hybrid film festivals and their potential to attract new and more diverse audiences. Join Our CommunityBecome a Hyperallergic Member and join over 5,000 readers committed to sustaining independent arts journalism. FILM AND DOCUMENTARY Juliette Binoche as Claire Millaud in Who You Think I Am (courtesy Cohen Media Group) Eileen G'Sell looks at how Juliette Binoche immerses herself into her role as the protagonist in Saby Nebbou’s latest feature, Who You Think I Am. Dan Schindel analyzes at the empty nationalism of 9/11 documentaries and the meaning of "never forget" on the tragedy's 20th anniversary. Toronto International Film Festival’s Wavelengths program for experimental and artists’ cinema returns with a robust lineup. Jordan Cronk highlights some of this year's features and shorts. BOOKS Karen Halverson, “Mulholland near Pacific Coast Highway” (1991) (copyright © Karen Halverson) Karen Halverson captures this historic highway in slow, dense detail in her latest publication, Mullholland. Megan N. Liberty considers how two new books reimagine the institutional frameworks that have shaped publishing and librarianship. Patrick Nathan’s Image Control looks at how capitalism benefits from the reduction of human relationships to two-dimensional representations. COMICS Susan Coyne's comic stroll through Spring/Break spots a seersucker suit, spiders, and a giant sliced ham, among other curiosities. Required Reading |