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April 26, 2022 β’ View in browserGood morning. π§οΈ Today, Turkish arts philanthropist and activist Osman Kavala was sentenced to life in prison for his support of political dissent in the country, Simone Leigh and Sonia Boyce both win Golden Lions at the Venice Biennale, hundreds at the British Museum protest the institution's BP sponsorship, reviews of Grace D. Li and an exhibition on deepfakes, and much more. This week, Iβll be leaving for a three-month sabbatical that will allow me to recharge and, in the meantime, I know you'll all be in the very able hands of Hyperallergic News co-editor and veteran journalist Hakim Bishara, who will serve as acting editor-in-chief during that time. β Hrag Vartanian, editor-in-chief Become a member today to support our independent journalism. A Working-Class Artist Is Something to BeSince 2019, Art Workers' Inquiry has been developing methods for everyday art workers to speak openly on capitalism and colonialism in the art world. | Billy Anania SPONSORED WHAT'S HAPPENING Jangarh Singh Shyam, "Annihilation of Sanbarah (The Annihilation of the Boar: An Anecdote from the Gond Epic)" (1992), poster color on paper (courtesy the Museum of Art and Photography, Bengaluru) The new MAP Encyclopedia of Art spans millennia of South Asian Art, aiming to make the region's art history accessible to all. Turkish businessman, activist, and arts philanthropist Osman Kavala was sentenced to life in prison without parole in Istanbul yesterday. Simone Leigh and Sonia Boyce win the Venice Biennaleβs Golden Lions. Hundreds gathered at the British Museum for a protest performance against the institutionβs sponsorship by British Petroleum. SPONSORED Welcoming Artists: New York Studio School Summer MarathonsNYSS Marathons are immersive 10-day courses which offer a wide range of strategies in drawing, painting & sculpture, with the conceptual inspiration of extensive critiques. Join us In-Person or Virtually from anywhere in the world to elevate your practice and learn new approaches that will last a lifetime. LATEST REVIEWS How Do We Know Whatβs Real in the Era of the Deepfake?The Museum of the Moving Image show Deepfakes: Unstable Evidence on Screen tries to help visitors equip themselves to discern real images from fake ones. | Eliza Levinson The Heist (or Repatriation) of the CenturyPortrait of a Thief imagines what would happen if some overly confident 20-somethings proved the life of museum objects isnβt as clear-cut as it seems. | Eva Recinos ALSO ON HYPERALLERGIC A Removed Columbus Monument in Chicago Makes a Baffling ReturnβWhen monuments mislead, they are taking space that could go to other, more accurate histories, or to artworks that pose questions instead of asserting answers.β | Rebecca Zorach Tucked Deep in Rural Utah, an Arts Center Reaches Out to the WorldGranary Arts brings contemporary art, international discourse, and a different lens into a traditional landscape. | Bianca Velasquez MOST POPULAR Pompeii Heats Up With a New Exhibition of Erotic ArtUAE Sentenced a Palestinian Artist to Death for Drug PossessionRemembering James Bidgood, a Pioneer of Gay FilmListen to the Music That Shaped Jean-Michel BasquiatThe Experimental Laboratory of Artist-Inventor Carl Cheng
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